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Exposed: Voyeurism, Surveillance, and the Camera Since 1870

  • SFMOMA_Exposed_01_Callahan_Atlanta.jpg

    Harry Callahan, Atlanta,1984; dye transfer print; 9 7/16 x 14 5/16 in. (23.97 x 36.35 cm); Collection SFMOMA, Accessions Committee Fund purchase; © The Estate of Harry Callahan, courtesy Pace/MacGill Gallery, New York

  • SFMOMA_Exposed_02_ShoeCamera.jpg

    Men's shoes with camera hidden in heel, n.d.; leather, cloth, rubber, metal, and glass; 4 1/8 x 3 x 11 1/2 in. (10.5 x 7.6 x 29.2 cm); National Museum of American History Photographic History Collection, gift of The New York News

  • SFMOMA_Exposed_03_diCorcia_Head.jpg

    Philip-Lorca diCorcia, Head #10, from the series Heads, 2001; chromogenic print; 48 x 60 in. (121.92  x 152.4 cm); Pilara Family Foundation, San Francisco; © Philip-Lorca diCorcia, courtesy David Zwirner, New York

  • SFMOMA_Exposed_04_Evans_WomanWithFur.jpg

    Walker Evans, [Subway Passenger, New York], 1941; gelatin silver print; 4 3/4 x 5 3/4 in. (12.07 x 14.61 cm); Collection SFMOMA, fractional and promised gift of Carla Emil and Rich Silverstein; © Walker Evans Archive, The Metropolitan Museum of Art

  • SFMOMA_Exposed_05_Winograd_NewYork.jpg

    Garry Winogrand, New York, 1969; gelatin silver print; 11 x 14 in. (27.94 x 35.56 cm); Collection SFMOMA, fractional and promised gift of Carla Emil and Rich Silverstein; © Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

  • SFMOMA_Exposed_06_Dane_SanFrancisco.jpg

    Bill Dane, San Francisco, 1973; gelatin silver print; 6 3/4 x 4 1/2 in. (17.15 x 11.43 cm); Collection SFMOMA, gift of the artist; © Bill Dane

  • SFMOMA_Exposed_08_TichyUntitled.jpg

    Miroslav Tichý, Untitled, ca. 1950s-1980s; gelatin silver print and ink; 7 x 4 5/8 in. (17.78 x 11.75 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Miroslav Tichý / Foundation Tichý Ocean

  • SFMOMA_Exposed_09_Goldin_NanBrian.jpg

    Nan Goldin, Nan and Brian in bed, New York City, 1983; detail from The Ballad of Sexual Dependency; 1979-1996; nine-carousel projection with approximately 700 slides, soundtrack, and titles; dimensions variable; Whitney Museum of American Art, New York; © Nan Goldin; image: courtesy Matthew Marks Gallery

  • SFMOMA_Exposed_10_Weegee_LoversOnTheBeach.jpg

    Weegee (Arthur H. Fellig) Lovers on the Beach, Coney Island, 1940; gelatin silver print; 7 1/2 x 9 1/2 in. (19.05 cm x 24.13 cm); International Center of Photography, New York; © Weegee / International Center of Photography / Getty Images

  • SFMOMA_Exposed_12_Jackson_Queen.jpg

    Alison Jackson, The Queen plays with her Corgies from the series Confidential, 2007; chromogenic print; 16 x 12 in. (40.64 x 30.48 cm); Courtesy the artist and M + B Gallery; © Alison Jackson, courtesy M+B Gallery

  • SFMOMA_Exposed_13_Dudognon_Garbo.jpg

    Georges Dudognon, Greta Garbo in the Club St. Germain, ca. 1950s; gelatin silver print; 7 1/16 x 7 1/8 in. (17.94 x 18.1 cm); Collection SFMOMA, Foto Forum purchase; © Georges Dudognon

  • SFMOMA_Exposed_14_Galella_JackieRunning.jpg

    Ron Galella, What Makes Jackie Run? Central Park, New York City, October 4, 1971; gelatin silver print; 7 3/8 x 9 7/8 in. (18.73 x 25.08 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Ron Galella, Ltd., courtesy the artist

  • SFMOMA_Exposed_15_Secchiaroli_EkbergSteel.jpg

    Tazio Secchiaroli, Anita Ekberg and Husband Anthony Steel, Vecchia Roma, 1958; gelatin silver print; 11 11/16 x 14 5/8 in. (29.69 x 37.15 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Tazio Secchiaroli / David Secchiaroli

  • SFMOMA_Exposed_17_Howard_Electrocution.jpg

    Tom Howard, The Electrocution of Ruth Snyder, 1928; gelatin silver print; 4 x 4 in. (10.16 x 10.16 cm); Collection SFMOMA, Accessions Committee Fund purchase

  • SFMOMA_Exposed_18_UPI_Suffolk.jpg

    United Press International, Suffolk, Virginia, Race Confrontation, May 6, 1964, 1964; gelatin silver print; 6 1/4 x 8 3/4 in. (15.88 x 22.23 cm); Collection SFMOMA, Accessions Committee Fund purchase; © United Press International, Inc. All Rights Reserved.

  • SFMOMA_Exposed_19_Clark_Untitled.jpg

    Larry Clark, Untitled, from the portfolio Tulsa, 1971, printed 1980; gelatin silver print; 8 x 12 in. (20.32 x 30.48 cm); Collection SFMOMA; © Larry Clark

  • SFMOMA_Exposed_21_Metinides_SuicideRescue.jpg

    Enrique Metinides, Secuencia rescate de un suicide en la cúpula el toreo (Suicide rescue from the top of the Toreo Stadium) (detail), 1971; six gelatin silver prints; dimensions variable; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Enrique Metinides

  • SFMOMA_Exposed_23_Lowy_IraqPerspectives.jpg

    Benjamin Lowy, Iraq Perspectives II #8, 2003-2007; chromogenic print; 13 x 20 in. (33.02 x 50.8 cm); Courtesy the artist; © Benjamin Lowy

  • SFMOMA_Exposed_24_Gordon_Emeryville.jpg

    Richard Gordon, Emeryville, Post Office, 2003; gelatin silver print; 11 1/8 in. x 16 3/4 in. (28.26 cm x 42.55 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Richard Gordon

  • SFMOMA_Exposed_25_Long_Compact.jpg

    Laurie Long, Compact, from The Dating Surveillance Project, 1998; gelatin silver print; 18 3/4 x 23 in. (47.6 x 58.4 cm); San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Laurie Long

  • SFMOMA_Exposed_26_Yokomizo_Stranger2.jpg

    Shizuka Yokomizo, Stranger No. 2, 1999, chromogenic print; 31 1/4 x 31 1/4 in. (79.4 x 79.4 cm); San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Shizuka Yokomizo

  • SFMOMA_Exposed_27_Paglen_Chemical.jpg

    Trevor Paglen, Chemical and Biological Weapons Proving Ground/Dugway, UT/Distance ~42 miles/10:51 a.m., 2006, 2006; chromogenic print; 50 x 50 in. (127 x 127 cm); Collection SFMOMA, Anonymous Fund purchase; © Trevor Paglen

  • SFMOMA_Exposed_28_Panorama.jpg

    Shai Kremer, Urban Warfare Training Center, Panorama, Tze'elim, 2007; chromogenic print; 20 x 83 inches; Collection SFMOMA, Accessions Committee Fund; © Shai Kremer; photo: Ben Blackwell

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