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Six Lines of Flight: Shifting Geographies in Contemporary Art

  • sfmoma_SixLines_11_The Growth of Cali.jpg

    Tiffany Chung, The Growth of Cali—city boundaries: 1780, 1880, 1921, 1930, 1937, 1951, 2012; micropigment ink, gel ink, and oil marker on paper; 38 1/2 x 53 1/4 in. (98 x 135 cm); Courtesy the artist and Tyler Rollins Fine Art, New York; © Tiffany Chung, photo: Ben Blackwell

  • sfmoma_SixLines_01_PostcardsOfWar.jpg

    Joana Hadjthomas and Khalil Joreige, Postcards of War, from the project Wonder Beirut, the Story of a Pyromaniac Photographer, 1997–2006; eighteen original postcards, each 4 1/8 x 5 3/4 in. (10.5 x 14.7 cm); Courtesy the artists and CRG Gallery, New York; © Joana Hadjthomas and Khalil Joreige

  • sfmoma_SixLines_02_BeirutAutopsyOfACity.jpg

    Lamia Joreige, Beirut, Autopsy of a City, 2010; mixed-media installation; dimensions variable; commissioned by Mathaf, Doha, Qatar, 2010; courtesy the artist; © Lamia Joreige

  • sfmoma_SixLines_03_Twenty-EightNightsAndAPoem.jpg

    Akram Zaatari, Twenty-Eight Nights and a Poem, 2010; mixed-media installation, dimensions variable; Courtesy the artist and Sfeir-Semler Gallery, Beirut and Hamburg; © Akram Zaatari

  • sfmoma_SixLines_04_Untitled.jpg

    Wilson Díaz, Untitled, from the series La flor caduca de la hermosura de su gloria (The Flower Fades from the Beauty of Its Glory), 2010; charcoal on paper, 13 3/4 x 19 5/8 in. (34.9 x 49.9 cm); Courtesy the artist and Valenzuela Klenner Galería Bogotá; © Wilson Díaz

  • sfmoma_SixLines_05_SinTitulo.jpg

    Leonardo Herrera, Sin titulo (Untitled), 1998. Performance at the Festival de Performance de Cali II, November 7, 1998. Courtesy Helena Producciones

  • sfmoma_SixLines_06_AgarrandoPueblo.jpg

     Carlos Mayolo and Luis Ospina, Agarrando pueblo (aka The Vampires of Poverty) (production photo), 1978; 16 mm film transferred to video, black and white and color, sound, 28 min.; Courtesy Luis Ospina; photo: Eduardo Carvajal

  • sfmoma_SixLines_07_Horizonte.jpg

    Oscar Muñoz, Horizonte (Horizon), 2011 (still); single-channel video, black and white, sound; 17 min.; Courtesy the artist and La Fábrica Galería, Madrid; Galerie Mor • Charpentier, Paris; and Sicardi Gallery, Houston; © Oscar Muñoz

  • sfmoma_SixLines_08_TheTrial.jpg

    Adrian Ghenie, The Trial, 2010; oil on canvas; 79 x 143 in. (200.1 x 363.2 cm); Collection SFMOMA, gift of the artist and Mihai Nicodim Gallery, Los Angeles; © Adrian Ghenie, photo: Ben Blackwell

  • sfmoma_SixLines_09_LeapIntoTheVoidAfter3Seconds.jpg

    Ciprian Mureşan, Leap into the Void, After 3 Seconds, 2004; gelatin silver print; 39 3/8 x 25 3/8 in. (100 x 60 cm); Collection of Dean Valentine and Amy Adelson, Los Angeles; © Ciprian Mureşan, photo: Raymond Bobar, courtesy Plan B, Cluj/Berlin

  • sfmoma_SixLines_10_Untitled(PortraitOfS.D).jpg

    Victor Man, Untitled (portrait of S.D.), 2011; oil on canvas; 20 3/4 x 16 3/4 in. (52.7 x 42. 6 cm); San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Victor Man, photo: Ben Blackwell

  • sfmoma_SixLines_12_DevelopmentStagesofCluj.jpg

    Tiffany Chung, Development Stages of Cluj from the 12th Century to 1957, 2012; micropigment ink, gel ink, and oil marker on paper; 38 9/16 x 51 1/8 in. (98 x 135 cm); Courtesy the artist and Tyler Rollins Fine Art, New York; © Tiffany Chung, photo: Nam Bui

  • sfmoma_SixLines_13_SoundAndFury.jpg

    Dinh Q. Lȇ, Sound and Fury, 2012 (still); three-channel video installation with sound, 7:30 min.; Commissioned by the San Francisco Museum of Modern Art and ARSENALE 2012; Courtesy the artist; Shoshana Wayne Gallery, Los Angeles; PPOW Gallery, New York; and 10 Chancery Lane Gallery, Hong Kong; © Dinh Q. Lȇ

  • sfmoma_SixLines_14_SoundandFury2.jpg

    Dinh Q. Lȇ, Sound and Fury, 2012 (still); three-channel video installation with sound, 7:30 min.; Commissioned by the San Francisco Museum of Modern Art and ARSENALE 2012; Courtesy the artist; Shoshana Wayne Gallery, Los Angeles; PPOW Gallery, New York; and 10 Chancery Lane Gallery, Hong Kong; © Dinh Q. Lȇ

  • sfmoma_SixLines_15_AVariationOnThePowersOfTen.jpg

    Futurefarmers, A Variation on the Powers of Ten, 2010–12; production photo: Amy Franceschini and Michael Swaine, Futurefarmers; Courtesy the artists; © Futurefarmers, photo: Jeff Warrin

  • sfmoma_SixLines_16_A Variation_Valero.jpg

    Futurefarmers, A Variation on the Powers of Ten, 2010–12; Amy Franceschini and Michael Swaine, Futurefarmers; with Ignacio Valero (1000), cultural anthropologist, California College of the Arts, San Francisco, at the University of California Botanical Garden at Berkeley, CA, 2011; Courtesy the artists; © Futurefarmers, photo: Jeff Warrin

  • sfmoma_SixLines_17_Bricks.jpg

    Yto Barrada, Briques (Bricks), 2003, printed 2011; chromogenic-print, 59 1/16 x 59 1/16 in. (150 x 150 cm); Courtesy the artist and Sfeir-Semler Gallery, Beirut and Hamburg; © Yto Barrada

  • sfmoma_SixLines_18_Ceuta Border.jpg

    Yto Barrada, Frontière de Sebta—Passage clandestin vers l'enclave espagnole de Sebta, Tanger (Ceuta Border—Illegally Crossing the Border into the Spanish Enclave of Ceuta, Tangier), 1999; chromogenic print mounted on aluminum; 31 1/2 x 31 1/2 in. (80 x 80 cm); Collection SFMOMA, purchase through a gift of Mark McCain in honor of Frish Brandt; © Yto Barrada, photo: Ben Blackwell

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