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South Africa in Apartheid and After: David Goldblatt, Ernest Cole, Billy Monk

  • 7_Goldblatt_Meeting.jpg

    David Goldblatt, Meeting of the worker-management Liaison Committee of the Colgate-Palmolive Company, 1980; gelatin silver print; 19 11/16 x 19 11/16 in. (50 x 50 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 1_Goldblatt_AnOfficer.JPG

    David Goldblatt, An officer of the Voortrekkers, 1980, gelatin silver print, 19 7/8 in. x 19 1/2 in.; Collection SFMOMA, purchase through a gift of Mark McCain and the Accessions Committee Fund; © David Goldblatt

  • 2_Goldblatt_AtAMeeting_revised.jpg

    David Goldblatt, At a meeting of Voortrekkers in the suburb of Witfield, 1979–1980; gelatin silver print; 14 9/16 x 14 9/16 in. (37 x 37 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 3_Goldblatt_BeforeTheFight.JPG

    David Goldblatt, Before the fight: amateur boxing at the Town Hall., 1980; gelatin silver print; 10 in. x 14 3/4 in. (30 x 40 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 4_Goldblatt_DancingMaster.jpg

    David Goldblatt, Dancing-master, Ted van Rensburg, watches two of his ballroom pupils, swinging to a recording of Victor Sylvester and his Orchestra, in the MOTHS' Hall at the old Court House., 1980; gelatin silver print; 19 11/16 x 23 5/8 in. (50 x 60 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 5_Goldblatt, Eyesight testing.jpg

    David Goldblatt, Eyesight testing at the Vosloorus Eye Clinic of the Boksburg Lions Club, 1980; gelatin silver print; 19 11/16 x 19 11/16 in. (50 x 50 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 6_Goldblatt_GirlInHerNewTutu.JPG

    David Goldblatt, Girl in her new tutu on the stoep., 1980; gelatin silver print;18 1/4 in. x 14 1/4 in., Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 8_Goldblatt_MembersOfTheMethodistChurch.JPG

    David Goldblatt, Members of the Methodist Church on the East Rand meet to find ways of reducing the racial, cultural and class barriers which divide them., 1980; gelatin silver print; 10 5/8 x 10 5/8 in.; Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 9_Goldblatt_MonthlyMeeting_revised.jpg

    David Goldblatt, Monthly meeting of the Vroue-Federasie at a member's house, 1980, gelatin silver print, 7 1/16 x 7 1/16 in., Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 10_Goldblatt_SaturdayAfternoon.jpg

    David Goldblatt, Saturday afternoon in Sunward Park, 1979; gelatin silver print; 6 7/8 x 6 7/8 in. (17.5 x 17.5 cm); Collection SFMOMA, purchase through a gift of Mark McCain and the Accessions Committee Fund; © David Goldblatt

  • 11_Goldblatt_SaturdayMorning_revised.jpg

    David Goldblatt, Saturday morning at the Hypermarket: Miss Lovely Legs Competition,1980; gelatin silver print; 11 x 11 in. (28 x 28 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 12_Goldblatt_UgqirhaFull.jpg

    David Goldblatt, Ugqirha Wisintu (traditional healer) Dr. Paul. Hofmeyr. Eastern Cape. 4 August 2006, August 4, 2006; inkjet print; 53 1/8 x 131 1/8 in. (135 x 333 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 13_Goldblatt_WillemVosterFull.jpg

    David Goldblatt, Willem Voster with friends, family, home and garden, Merweville, Western Cape. 2 March 2009, March 2, 2009; inkjet print; 43 11/16 x 159 7/16 in. (111 x 405 cm); Courtesy of the artist and Goodman Gallery, South Africa; © David Goldblatt

  • 14_Cole_AStudent.jpg

    Ernest Cole, A student who said he was going to fetch his textbook is pulled in. To prove he was still in school he showed his fountain pen and ink-stained fingers. But that was not enough; in long pants he looked older than sixteen., 1960–1966; gelatin silver print; 8 11/16 x 12 5/8 in. (22 cm x 32 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 15_Cole_AfricansThrong.jpg

    Ernest Cole, Africans throng Johannesburg station platform during late afternoon rush., 1960–1966; gelatin silver print; 8 11/16 x 12 5/8 in. (22 x 32 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 16_Cole_AfterProcessing.jpg

    Ernest Cole, After processing they wait at railroad station for transportation to mine. Identity tag on wrist shows shipment of labor to which man is assigned., 1960–1966; gelatin silver print; 8 11/16 x 12 5/8 in. (22 x 32 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 17_Cole_EveryAfrican.jpg

    Ernest Cole, Every African must show his pass before being allowed to go about his business. Sometimes check broadens into search of a man's person and belongings., 1960–1966; gelatin silver print; 8 11/16 x 12 5/8 in. (22 x 32 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 18_Cole_Newspapers_revised.jpg

    Ernest Cole, Newspapers are her carpet, fruit crates her chairs and table., 1960–1966; gelatin silver print; 12 5/8 x 8 11/16 in. (32 x 22 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 19_Cole_UntitledWhiteWashroom_revised.jpg

    Ernest Cole, Untitled [White Washroom], 1960–1966; gelatin silver print; 12 5/8 x 8 11/16 in. (32 x 22 cm); Courtesy of the Hasselblad Foundation, Gothenburg, Sweden; © The Ernest Cole Family Trust

  • 20_Monk_TheBalalaika_revised.jpg

    Billy Monk, The Balalaika, December 1969, 1969, printed 2011; gelatin silver print; 16 x 11 in. (40.64 x 27.94 cm); Courtesy of Stevenson, Cape Town and Johannesburg; © Estate of Billy Monk

  • 21_Monk_TheCatacombs21November1967.jpg

    Billy Monk, The Catacombs, 21 November 1967, 1967, printed 2011; gelatin silver print; 15 x 10 in. (38.1 x 25.4 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Billy Monk

  • 22_Monk_TheCatacombs30September1967.jpg

    Billy Monk, The Catacombs, 30 September 1967, 1967, printed 2011; gelatin silver print; 10 1/16 x 14 15/16 in. (25.56 x 37.94 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Billy Monk

  • 23_Monk_TheCatacombs31July1967.jpg

    Billy Monk, The Catacombs, 31 July 1967, 1967, printed 2011; gelatin silver print; 11 x 16 in. (27.94 x 40.64 cm); Courtesy of Stevenson, Cape Town and Johannesburg; © Estate of Billy Monk

  • 24_Monk_TheCatacombs5February1968.jpg

    Billy Monk, The Catacombs, 5 February 1968, 1968, printed 2011; gelatin silver print; 11 x 16 in. (27.94 x 40.64 cm); Courtesy of Stevenson, Cape Town and Johannesburg; © Estate of Billy Monk

  • 25_Monk_TheCatacombs1968.jpg

    Billy Monk, The Catacombs, 1968, 1968, printed 2011; gelatin silver print; 11 x 16 in. (27.94 x 40.64 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Billy Monk

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