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SFMOMA ANNOUNCES 2012 SECA ART AWARD WINNERS

Press release
  • 01_sfmoma_SECA2012_allartists_1.jpg

    Top to bottom: Zarouhie Abdalian, Set for the Outside (detail), 2010; Josh Faught, It Takes a Lifetime to Get Exactly Where You Are (detail), 2012; Jonn Herschend, Nothing Happens for Long (production still from the video), 2011; David Wilson, Maps and invitations collection (detail), 2006–12

  • 02_sfmoma_SECA2012_Abdalian_1.jpg

    Zarouhie Abdalian, Away Setting, 2012; Timers, lights, inaccessible split-level rooms.
    More than one thousand possible instances over three months. MacMillan Building, 9th Shanghai Biennial: San Francisco Pavilion, Shanghai, China; © Zarouhie Abdalian

  • 03_sfmoma_SECA2012_Abdalian_2.jpg

    Zarouhie Abdalian, Set for the Outside (detail), 2010; Frosted privacy window film and graphite on 24 windows, California College of the Arts, San Francisco; 96 in. x 480 in. (243.84 cm x 1219.2 cm); © Zarouhie Abdalian

  • 04_sfmoma_SECA2012_Faught.jpg

    Josh Faught, It Takes a Lifetime to Get Exactly Where You Are, 2012; Handwoven sequin trim, handwoven hemp, cedar blocks, cotton, polyester, wool, cochineal dye, straw hat with lace, toilet paper, paper towels, scrapbooking letters, Jacquard woven reproduction of a panel from the AIDS quilt, silk handkerchief, indigo, political pins, disaster blanket, gourd, gold leaf, plaster cat, cedar blocks, and nail polish, 96 in. x 240 in. (243.84 cm x 609.6 cm), courtesy the artist and Lisa Cooley Fine Art, New York; © Josh Faught

  • 05_sfmoma_SECA2012_Faught_detail.jpg

    Josh Faught, It Takes a Lifetime to Get Exactly Where You Are (detail), 2012; Handwoven sequin trim, handwoven hemp, cedar blocks, cotton, polyester, wool, cochineal dye, straw hat with lace, toilet paper, paper towels, scrapbooking letters, Jacquard woven reproduction of a panel from the AIDS quilt, silk handkerchief, indigo, political pins, disaster blanket, gourd, gold leaf, plaster cat, cedar blocks, and nail polish, 96 in. x 240 in. (243.84 cm x 609.6 cm), courtesy the artist and Lisa Cooley Fine Art, New York; © Josh Faught

  • 06_sfmoma_SECA2012_Faught.jpg

    Josh Faught, Blessings and Miracles, 2011; Indigo, silk handkerchief, pins, hand-woven and crocheted wool and hemp, hand-made felt, nail polish, letter organizer made by prisoner, jewelry, spray paint, guide to dungeon emergencies, and gifts on linen; 72 in. x 72 in. x 2 in. (182.88 cm x 182.88 cm x 5.08 cm); courtesy the artist and Lisa Cooley Fine Art, New York; © Josh Faught

  • 07_sfmoma_SECA2012_Herschend_1.jpg

    Jonn Herschend, Nothing Happens for Long (production still from the video), 2011; 18 x 20 in.; Commissioned by the Oakland Museum of California and the James Irvine Foundation, © Jonn Herschend

  • 08_sfmoma_SECA2012_Herschend_2.jpg

    Jonn Herschend, More Real? (production still), 2012; Produced for More Real? Art in the Age of Truthiness, organized by the Minneapolis Institute of Arts in partnership with SITE Santa Fe; © Jonn Herschend

  • 09_sfmoma_SECA2012_Wilson_1.jpg

    David Wilson, MoonWalk MoonDance (composite), 2010, social practice: set of walking directions, outdoor full moon dancehall, 2010 California Biennial, Orange County Museum of Art, Newport Beach; © David Wilson

  • 10_sfmoma_SECA2012_Wilson_2.jpg

    David Wilson, Maps and invitations collection, 2006–12; multimedia print series; © David Wilson

  • 11_sfmoma_SECA2012_Wilson_3.jpg

    David Wilson, Memorial Fort Gathering, 2009; social practice: memorial fort structure and gathering including orchestration for cello, recorded voice, and trumpets, Richmond California © David Wilson; photo: Terri Loewenthal

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