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SFMOMA AND METROPOLITAN MUSEUM JOINTLY ACQUIRE MAJOR WILLIAM KENTRIDGE INSTALLATION

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    William Kentridge, The Refusal of Time (installation view at MAXXI Museo nazionale delle arti del XXI secolo, Rome), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration withPhilip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; photo: Matteo Monti, courtesy Fondazione MAXXI; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_04.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_05.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_07.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_08.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_09.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_11.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

  • sfmoma_Kentridge_Refusal_Still_15.jpg

    William Kentridge, The Refusal of Time (still), 2012; five-channel video with sound, megaphones, and breathing machine (“elephant”); 30 min.; dimensions variable; created in collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison; jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art; image, courtesy Marian Goodman Gallery, New York; © 2012 William Kentridge. All rights reserved.

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