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Exhibitions (30)
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Film (91)
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Daily Video ScreeningsSeeing yourself seeing: Olafur Eliasson
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Daily (except Wednesdays)
September 08, 2007
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February 24, 2008
noon
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Daily Video ScreeningsThe Films of Joseph Cornell
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Daily (except Wednesdays)
October 06, 2007
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January 06, 2008
noon
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Daily Video ScreeningsJeff Wall: Retrospective
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Daily (except Wednesdays)
November 01, 2007
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January 27, 2008
noon
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Film SeriesThe Films of Emile de Antonio
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Saturday, January 05, 2008
noon
Double feature
Point of Order, 1963, 97 min.
Charge and Countercharge, 1968, 43 min.For his debut film, Point of Order, de Antonio pulled material from 188 hours of kinescopes of the 1954 Army-McCarthy Senate hearings. This collage of television footage was one of
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Daily Video ScreeningsArt:21: Art in the 21st Century: Protest
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Daily (except Wednesdays)
January 07
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May 04, 2008
11:00 a.m.
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Film SeriesThe Films of Emile de Antonio
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Saturday, January 12, 2008
noon
Double feature
Point of Order, 1963, 97 min.
Charge and Countercharge, 1968, 43 min.For his debut film, Point of Order, de Antonio pulled material from 188 hours of kinescopes of the 1954 Army-McCarthy Senate hearings. This collage of television footage was one of
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Film SeriesThe Films of Emile de Antonio
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Saturday, January 19, 2008
noon
Double feature
Rush to Judgment, 1966, 98 min.
In the Year of the Pig, 1968, 103 min.A seminal refutation of the Warren Commission Report on the assassination of President John F. Kennedy, Rush to Judgment offers no definitive conclusions, but it simply and
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Film SeriesThe Films of Emile de Antonio
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Thursday, January 24, 2008
5:30 p.m.
In the Year of the Pig, 1968, 103 min.Perhaps the most radical film ever nominated for an Academy Award, In the Year of the Pig examines the historical roots of the Vietnam War and argues polemically for its end. The
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Daily Video ScreeningsPaul Klee
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Daily (except Wednesdays)
January 28
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February 29, 2008
11:00 a.m.
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Film SeriesThe Films of Emile de Antonio
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Thursday, January 31, 2008
5:30 p.m.
Double feature
America Is Hard to See, 1970, 90 min.
Millhouse: A White Comedy, 1971, 92 min.America Is Hard to See offers de Antonio's take on the 1968 Democratic primaries, "seen from the POV of liberals and Eugene McCarthy." The film addresses the assassinations of
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Film SeriesThe Films of Emile de Antonio
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Saturday, February 02, 2008
noon
Double feature
America Is Hard to See, 1970, 90 min.
Millhouse: A White Comedy, 1971, 92 min.America Is Hard to See offers de Antonio's take on the 1968 Democratic primaries, "seen from the POV of liberals and Eugene McCarthy." The film addresses the assassinations of
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Film SeriesThe Films of Emile de Antonio
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Saturday, February 09, 2008
noon
Double feature
Underground, 1976, 87 min.
In the King of Prussia, 1982, 92 min.Sam Green introduced a new generation to the radical 1960s group the Weathermen with his 2002 film The Weather Underground, but de Antonio first highlighted the group in 1976's
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Film SeriesThe Films of Emile de Antonio
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Saturday, February 16, 2008
noon
Double feature
Underground, 1976, 87 min.
In the King of Prussia, 1982, 92 min.Sam Green introduced a new generation to the radical 1960s group the Weathermen with his 2002 film The Weather Underground, but de Antonio first highlighted the group in 1976's
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Film SeriesThe Films of Emile de Antonio
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Thursday, February 21, 2008
5:30 p.m.
Painters Painting, 1972, 116 min.In Painters Painting, de Antonio and cinematographer Ed Emshwiller chronicle the work of 13 painters in New York through interviews and substantial studio observation. As one
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Film SeriesThe Films of Emile de Antonio
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Saturday, February 23, 2008
noon
Double feature
Painters Painting, 1972, 116 min.
Mr. Hoover and I, 1989, 90 min.In Painters Painting, de Antonio and cinematographer Ed Emshwiller chronicle the work of 13 painters in New York through interviews and substantial studio observation. De Antonio's
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Film SeriesThe Films of Emile de Antonio
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Thursday, February 28, 2008
5:30 p.m.
Mr. Hoover and I, 1989, 90 min.De Antonio's final film, Mr. Hoover and I, is a combination personal essay and documentary exposé of J. Edgar Hoover. Without collage or biting juxtaposition, the filmmaker
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Daily Video ScreeningsBernd and Hilla Becher: Four Decades
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Daily (except Wednesdays)
March 01
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April 30, 2008
11:00 a.m.
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Film SeriesDouble Feature
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Saturday, March 01, 2008
noon
For a Few Dollars More, Sergio Leone, 1965, 132 min.
Il Mercenario (A Professional Gun), Sergio Corbucci, 1968, 110 min.Perhaps no other artistic genre is as rich in American mythologies as the Western. It contains the spirit of the pioneer, the confrontation with nature, individualism, family
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Film SeriesNon-Western Westerns
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Thursday, March 06, 2008
5:30 p.m.
El Topo, Alejandro Jodorowsky, 1971, 125 min.
Gunfighter el Topo (the Mole), played by Chilean director Jodorowsky, sets out with his son (played by his actual son, Brontis Jodorowsky) to avenge his dead wife in this Mexican
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Film SeriesNon-Western Westerns
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Saturday, March 08, 2008
2:00 p.m.
El Topo, Alejandro Jodorowsky, 1971, 125 min.Gunfighter el Topo (the Mole), played by Chilean director Jodorowsky, sets out with his son (played by his actual son, Brontis Jodorowsky) to avenge his dead wife in this Mexican
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Film SeriesNon-Western Westerns
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Saturday, March 15, 2008
3:00 p.m.
A Girl Is a Gun (Une Aventure de Billy le Kid), Luc Moullet, 1971, 100 min.Sometimes described as an "acid Western," A Girl Is a Gun is certainly a weird trip. French New Wave icon Jean-Pierre Léaud stars as Billy the Kid, attempting to escape capture
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Film SeriesNon-Western Westerns
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Thursday, March 20, 2008
6:30 p.m.
A Girl Is a Gun (Une Aventure de Billy le Kid), Luc Moullet, 1971, 100 min.Sometimes described as an "acid Western," A Girl Is a Gun is certainly a weird trip. French New Wave icon Jean-Pierre Léaud stars as Billy the Kid, attempting to escape capture
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Film SeriesNon-Western Westerns
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Saturday, March 22, 2008
3:00 p.m.
Sholay, Ramesh Sippy, 1975, 162 min.Sholay is Bollywood's landmark contribution to the Western genre. It remains the highest-grossing film in the history of Hindi cinema and was declared "film of the millennium" by
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Film SeriesNon-Western Westerns
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Thursday, March 27, 2008
6:30 p.m.
Summer Love, Piotr Uklanski, 2006, 93 min.The conceptual Polish artist Uklanski describes Summer Love, his debut film, as "the first Polish Western." Shot in southern Poland with a Polish cast, the film explores the Western
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Film SeriesNon-Western Westerns
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Friday, March 28, 2008
3:00 p.m.
Summer Love, Piotr Uklanski, 2006, 93 min.The conceptual Polish artist Uklanski describes Summer Love, his debut film, as "the first Polish Western." Shot in southern Poland with a Polish cast, the film explores the Western
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Film SeriesNon-Western Westerns
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Saturday, March 29, 2008
3:00 p.m.
Exiled, Johnnie To, 2006, 110 min.In Exiled, four hit men - childhood friends - find themselves reunited and struggling to survive a gangland turned against them. Set in Macau circa 1998, on the eve of the
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Film SeriesNon-Western Westerns
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Thursday, April 03, 2008
6:30 p.m.
Sholay, Ramesh Sippy, 1975, 162 min.Sholay is Bollywood's landmark contribution to the Western genre. It remains the highest-grossing film in the history of Hindi cinema and was declared "film of the millennium" by
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Film SeriesNon-Western Westerns
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Friday, April 04, 2008
3:00 p.m.
Summer Love, Piotr Uklanski, 2006, 93 min.The conceptual Polish artist Uklanski describes Summer Love, his debut film, as "the first Polish Western." Shot in southern Poland with a Polish cast, the film explores the Western
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Film SeriesNon-Western Westerns
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Saturday, April 05, 2008
3:00 p.m.
Lemonade Joe, Oldrich Lipsky, 1964, 99 min.Made in Czechoslovakia, Lemonade Joe is arguably the sharpest and funniest satire of the Western to have come out of the Eastern bloc during the Cold War. From East Germany to
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Film SeriesNon-Western Westerns
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Friday, April 11, 2008
3:00 p.m.
Summer Love, Piotr Uklanski, 2006, 93 min.The conceptual Polish artist Uklanski describes Summer Love, his debut film, as "the first Polish Western." Shot in southern Poland with a Polish cast, the film explores the Western
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Film SeriesNon-Western Westerns
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Thursday, April 17, 2008
6:30 p.m.
Lemonade Joe, Oldrich Lipsky, 1964, 99 min.Made in Czechoslovakia, Lemonade Joe is arguably the sharpest and funniest satire of the Western to have come out of the Eastern bloc during the Cold War. From East Germany to
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Film SeriesNon-Western Westerns
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Friday, April 18, 2008
3:00 p.m.
Summer Love, Piotr Uklanski, 2006, 93 min.The conceptual Polish artist Uklanski describes Summer Love, his debut film, as "the first Polish Western." Shot in southern Poland with a Polish cast, the film explores the Western
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Film SeriesNon-Western Westerns
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Saturday, April 19, 2008
3:00 p.m.
Lemonade Joe, Oldrich Lipsky, 1964, 99 min.Made in Czechoslovakia, Lemonade Joe is arguably the sharpest and funniest satire of the Western to have come out of the Eastern bloc during the Cold War. From East Germany to
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Film SeriesNon-Western Westerns
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Saturday, April 26, 2008
3:00 p.m.
Yojimbo, Akira Kurosawa, 1961, 110 min.In his wildly popular and influential Yojimbo, Kurosawa reimagined the period samurai film as a darkly comic if existential tale. Toshiro Mifune's drifter, Sanjuro, is a masterless
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Daily Video ScreeningsThe Medium and the Body: Chris Burden, Peter Campus, Joan Jonas, and Steina Vasulka
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Daily (except Wednesdays)
May 01
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June 13, 2008
noon
Program includes Documentation of Selected Works 1971-74 (Chris Burden, 1971-75, 35 min.), Left Side Right Side (Joan Jonas, 1972, 9 min.), Three Transitions (Peter Campus, 1973, 5
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Live ArtThe Rape of the Sabine Women
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Thursday, May 01, 2008
8:00 p.m.
Program 1: Opening Screening and Post-screening Performance
Eve Sussman and the Rufus Corporation, 2006, 82 min.
Geoff Gersh, Eric Hubel, Algis Antanas Kizys, Scott Moore, Katerina
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Live ArtThe Rape of the Sabine Women
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Friday, May 02, 2008
8:00 p.m.
Program 1: Opening Screening and Post-screening Performance
Eve Sussman and the Rufus Corporation, 2006, 82 min.
Geoff Gersh, Eric Hubel, Algis Antanas Kizys, Scott Moore, Katerina
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Live ArtThe Rape of the Sabine Women
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Saturday, May 03, 2008
3:00 p.m.
Program 2: Screening and Panel Discussion
Eve Sussman and the Rufus Corporation, 2006, 82 min.Program 3: Screenings
Eve Sussman and the Rufus Corporation, 2006, 82 min.
Fridays,
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Daily Video ScreeningsHome Movies: Vito Acconci, William Wegman, and Lawrence Weiner
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Daily (except Wednesdays)
May 05
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June 13, 2008
noon
Program includes Home Movies (Vito Acconci, 1973, 33 min.), Green as Well as Blue as Well as Red (Lawrence Weiner, 1976, 18 min.), and Selected Works 1970-78 (William Wegman, 1981, 19
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Film SeriesOne P.M.
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Thursday, May 08, 2008
6:30 p.m.
D. A. Pennebaker with Jean Luc Godard and Richard Leacock, 1971, 95 min., Beta SPIt has been 40 years since May 1968. In political history and popular memory, that month has come to stand for a whole era of political protest. It was the month of les
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Live ArtThe Rape of the Sabine Women
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Every
Wednesday
May 09
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June 27, 2008
noon
SFMOMA is pleased to host the West Coast premiere of the acclaimed video musical The Rape of the Sabine Women. The work recasts Rome's founding myth of abduction and peaceful
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Film SeriesAround '68
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Saturday, May 10, 2008
1:00 p.m.
Double Feature
One P.M.
D. A. Pennebaker with Jean Luc Godard and Richard Leacock, 1971, 95 min., Beta SPOriginally titled One A.M. (One American Movie), this collaboration among Pennebaker, Leacock, and Godard hoped to capture Vietnam War protests and what Godard believed to be
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Film SeriesRojo amanecer (Red dawn)
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Thursday, May 15, 2008
6:30 p.m.
Jorge Fons, 1989, 96 min., DVD
Set during the October 1968 Tlatelolco Massacre, just weeks before Mexico City was to host the Olympic Games, Rojo amanecer follows the lives of a middle-class Mexican family living
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Film SeriesAround '68
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Saturday, May 17, 2008
1:00 p.m.
Double Feature
Rojo amanecer (Red dawn)
Jorge Fons, 1989, 96 min., DVDSet during the October 1968 Tlatelolco Massacre, just weeks before Mexico City was to host the Olympic Games, Rojo amanecer follows the lives of a middle-class Mexican family living
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Film SeriesIf . . .
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Thursday, May 22, 2008
6:30 p.m.
Lindsay Anderson, 1968, 111 min., 35mm
The cult classic that launched the career of Malcolm McDowell (A Clockwork Orange), If... tells the tale of an armed rebellion at a traditional British school. Echoing the May 1968
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Film SeriesAround '68
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Saturday, May 24, 2008
1:00 p.m.
Double Feature
If . . .
Lindsay Anderson, 1968, 111 min., 35mmThe cult classic that launched the career of Malcolm McDowell (A Clockwork Orange), If... tells the tale of an armed rebellion at a traditional British school. Echoing the May 1968
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Film SeriesLes Amants Réguliers (Regular Lovers)
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Thursday, May 29, 2008
6:30 p.m.
Philippe Garrel, 2005, 178 min., 35mm
A love letter both to French New Wave cinema and to late 1960s French youth culture, Philippe Garrel's Regular Lovers stars the director's son (Louis Garrel, of Bertold Bertolucci's
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Film SeriesLes Amants Réguliers (Regular Lovers)
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Saturday, May 31, 2008
1:00 p.m.
Philippe Garrel, 2005, 178 min., 35mm
A love letter both to French New Wave cinema and to late 1960s French youth culture, Philippe Garrel's Regular Lovers stars the director's son (Louis Garrel, of Bertold Bertolucci's
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Film SeriesProgram 1
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Thursday, June 05, 2008
6:30 p.m.
Rainer Werner Fassbinder, 1980
Parts 1-3, 199 min.Part 1: The Punishment Begins
Part 2: How Is One to Live If One Doesn't Want to Die
Part 3: A Hammer Blow on the Head Can Injure the SoulPersonal anguish finds rich expression in
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Film SeriesProgram 1
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Saturday, June 07, 2008
2:00 p.m.
Rainer Werner Fassbinder, 1980
Parts 1-3, 199 min.Part 1: The Punishment Begins
Part 2: How Is One to Live If One Doesn't Want to Die
Part 3: A Hammer Blow on the Head Can Injure the Soul
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Film SeriesProgram 2
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Thursday, June 12, 2008
6:30 p.m.
Rainer Werner Fassbinder, 1980
Parts 4-7, 240 min.Part 4: A Handful of People in the Depths of Silence
Part 5: A Grim Reaper with Powers from Almighty God
Part 6: Love Has Its Price
Part 7: Remember: An Oath Can Be Amputated
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Daily Video ScreeningsThe Life and Times of Frida Kahlo
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Daily (except Wednesdays)
June 14
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September 28, 2008
noon
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Film SeriesProgram 2
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Saturday, June 14, 2008
2:00 p.m.
Rainer Werner Fassbinder, 1980
Parts 4-7, 240 min.Part 4: A Handful of People in the Depths of Silence
Part 5: A Grim Reaper with Powers from Almighty God
Part 6: Love Has Its Price
Part 7: Remember: An Oath Can Be Amputated
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Film SeriesProgram 3
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Thursday, June 19, 2008
6:30 p.m.
Rainer Werner Fassbinder, 1980
Parts 8-11, 240 min.Part 8: The Sun Warms the Skin but Burns It Sometimes, Too
Part 9: About the Eternities between the Many and Few
Part 10: Loneliness Tears Cracks of Madness Even in Walls
Part 11:
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Film SeriesProgram 3
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Saturday, June 21, 2008
2:00 p.m.
Rainer Werner Fassbinder, 1980
Parts 8-11, 240 min.Part 8: The Sun Warms the Skin but Burns It Sometimes, Too
Part 9: About the Eternities between the Many and Few
Part 10: Loneliness Tears Cracks of Madness Even in Walls
Part 11:
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Film SeriesProgram 4
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Thursday, June 26, 2008
6:30 p.m.
Rainer Werner Fassbinder, 1980
Parts 12-13 and Epilogue, 240 min.Part 12: The Serpent in the Soul of the Serpent
Part 13: The Outside and the Inside and the Secret of Fear of Fear
Epilogue: The Death of a Child and the Birth of a Worthwhile Human
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Film SeriesProgram 4
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Saturday, June 28, 2008
2:00 p.m.
Rainer Werner Fassbinder, 1980
Parts 12-13 and Epilogue, 240 min.Part 12: The Serpent in the Soul of the Serpent
Part 13: The Outside and the Inside and the Secret of Fear of Fear
Epilogue: The Death of a Child and the Birth of a Worthwhile Human
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Live ArtThe Rape of the Sabine Women
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Saturday, June 28, 2008
6:30 p.m.
Final Screening
Eve Sussman and the Rufus Corporation, 2006, 82 min.
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Live ArtThe Rape of the Sabine Women
WEST COAST PREMIERE -
Saturday, June 28, 2008
6:30 p.m.
Final Screening
Eve Sussman and the Rufus Corporation, 2006, 82 min.$5 general, students, and seniors; free for SFMOMA members or with museum admission (requires a free ticket, which can be picked up in the Haas Atrium). Tickets are available at
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Daily Video ScreeningsLee Miller: Through the Mirror
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Daily (except Wednesdays)
July 01
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September 14, 2008
noon
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Film SeriesJean Cocteau: The Orphic Trilogy
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Saturday, July 05, 2008
1:00 p.m.
Le Sang d'un poète (Blood of a Poet)
Jean Cocteau, 1930, 55 min.
A landmark of surrealist cinema, Cocteau's first film attempts to reveal the inside of a poet's mind and
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Film SeriesOrphée (Orpheus)
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Thursday, July 10, 2008
7:00 p.m.
Jean Cocteau, 1949, 95 min.This is, without a doubt, Cocteau's best film. Orphée is clearly based on the ancient myth in which Orpheus (Jean Marais) descends into the underworld to rescue his wife,
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Film SeriesJean Cocteau: The Orphic Trilogy
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Saturday, July 12, 2008
1:00 p.m.
Le Sang d'un poète (Blood of a Poet)
Jean Cocteau, 1930, 55 min.
A landmark of surrealist cinema, Cocteau's first film attempts to reveal the inside of a poet's mind and
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Film SeriesLe Testament d'Orphée (The Testament of Orpheus)
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Thursday, July 17, 2008
7:00 p.m.
Jean Cocteau, 1959, 80 min.In the film that completes the cycle, Cocteau plays an 18th-century poet who travels in time. This is a wry, self-deprecating work, with the 70-year-old poet portraying his dreams,
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Film SeriesJean Cocteau: The Orphic Trilogy
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Saturday, July 19, 2008
1:00 p.m.
Le Sang d'un poète (Blood of a Poet)
Jean Cocteau, 1930, 55 min.
A landmark of surrealist cinema, Cocteau's first film attempts to reveal the inside of a poet's mind and
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Film SeriesLe Testament d'Orphée (The Testament of Orpheus)
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Thursday, July 24, 2008
7:00 p.m.
Jean Cocteau, 1959, 80 min.In the film that completes the cycle, Cocteau plays an 18th-century poet who travels in time. This is a wry, self-deprecating work, with the 70-year-old poet portraying his dreams,
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Film SeriesJean Cocteau: The Orphic Trilogy
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Saturday, July 26, 2008
1:00 p.m.
Double Feature
Orphée (Orpheus)
Jean Cocteau, 1949, 95 min.
This is, without a doubt, Cocteau's best film. Orphée is clearly based on the ancient myth in which Orpheus
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Film SeriesNazarín
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Thursday, July 31, 2008
7:00 p.m.
Luis Buñuel, 1959, 94 min.Buñuel's film is a study of religious idealism and harsh social realities at the end of the 19th century. Father Nazarín is a priest who lives in a Mexico City slum. His
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Film SeriesAngel of Fire: Kahlo, Mexico, and Film
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Saturday, August 02, 2008
1:00 p.m.
Double Feature
Nazarín
Luis Buñuel, 1959, 94 min.Buñuel's film is a study of religious idealism and harsh social realities at the end of the 19th century. Father Nazarín is a priest who lives in a Mexico City slum. His
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Film SeriesEl Puño de hierro (The Iron Fist)
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Thursday, August 07, 2008
8:00 p.m.
Gabriel García Moreno, 1927, 77 min.This rare, remarkable silent adventure opens with a young man experiencing his first shot of morphine. To try to describe the rest of the breathless plot would be futile, but
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Film SeriesAngel of Fire: Kahlo, Mexico, and Film
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Saturday, August 09, 2008
1:00 p.m.
Double Feature
¡Que viva México!
Sergei Eisenstein, 1931/1979, 85 min.Hollywood was never a natural home to Eisenstein, and with several projects rejected, it took little to persuade him to follow Upton Sinclair south to create a film celebrating
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Film Series¡Que viva México!
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Thursday, August 14, 2008
7:00 p.m.
Sergei Eisenstein, 1931/1979, 85 min.Hollywood was never a natural home to Eisenstein, and with several projects rejected, it took little to persuade him to follow Upton Sinclair south to create a film celebrating
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Film SeriesAngel of Fire: Kahlo, Mexico, and Film
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Saturday, August 16, 2008
1:00 p.m.
Double Feature
¡Que viva México!
Sergei Eisenstein, 1931/1979, 85 min.Hollywood was never a natural home to Eisenstein, and with several projects rejected, it took little to persuade him to follow Upton Sinclair south to create a film celebrating
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Film SeriesAventurera
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Thursday, August 21, 2008
7:00 p.m.
Alberto Gout, 1949, 101 min.One of the most popular Mexican films ever made, the cult sensation Aventurera is a famous example of cabaretera, a curious film noir and musical hybrid wildly popular in Mexico in
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Film SeriesAngel of Fire: Kahlo, Mexico, and Film
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Saturday, August 23, 2008
1:00 p.m.
Double Feature
Aventurera
Alberto Gout, 1949, 101 min.One of the most popular Mexican films ever made, the cult sensation Aventurera is a famous example of cabaretera, a curious film noir and musical hybrid wildly popular in Mexico in
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Film SeriesFrida, naturaleza viva
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Thursday, August 28, 2008
7:00 p.m.
Paul Leduc, 1984, 108 min.This fictional documentary investigates the agonies and ecstasies that punctuated - and, literally, punctured - Frida Kahlo's life, in a series of dramatized flashbacks as she lies
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Film SeriesAngel of Fire: Kahlo, Mexico, and Film
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Saturday, August 30, 2008
1:00 p.m.
Double Feature
Enamorada (A Woman in Love)
Emilio Fernández, 1946, 99 min.
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Film ScreeningDouble Feature: Lost Indulgence and Lost in Beijing
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Saturdays, September 06, 13, and 20, 2008
1:00 p.m.
Lost Indulgence
Zhang Yibai, 2008, 96 min.
Lost in Beijing (Ping Guo)
Li Yu, 2007, 112 min.The latest feature by one of China's up-and-coming directors, Lost Indulgence offers a visually captivating meditation on loss and a moving portrait of relationships. When a taxi
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Daily Video ScreeningsThe Pencil of Nature
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Daily (except Wednesdays), 1:00 p.m., 3:00 p.m., and 4:30 p.m.
Films for the Humanities and Sciences, 1989, 26 min.
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Film ScreeningSebastiane
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Saturday, November 01, 2008, 1:00 p.m.
Thursday, November 06, 2008, 7:00 p.m.1976, 86 min.
Sebastiane is hailed as the first film to portray unconcealed homosexuality in a positive light and also the first film entirely in Latin. Taking place in 300 A.D. in a womanless
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Film ScreeningJubilee
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Saturdays, November 01 and 15, 2008, 3:00 p.m.
1977, 103 min.
Queen Elizabeth I time travels to the late 20th Century only to find herself smack dab in the middle of a punk wasteland. Anarchy, rampant sexuality, nihilism, and
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Daily Video ScreeningsAnt Farm: Early Underground Adventures with Space, Land, and Time
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Daily (except Wednesdays), 1:30 p.m.
Elizabeth Federici and Laura Harrison, 2008, 30 min.
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Daily Video ScreeningsThe World of Lygia Clark
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Daily (except Wednesdays), 2:00 p.m.
Eduardo Clark, 1973, 27 min.
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Daily Video ScreeningsA Tribute to John Cage
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Daily (except Wednesdays), 2:30 p.m.
Nam June Paik, 1973/1976, 29 min.
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Daily Video ScreeningsArt:21: Art in the Twenty-First Century: Time
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Daily (except Wednesdays), 4:30 p.m.
Featuring Martin Puryear
Art:21, 2003, 60 min.
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Daily Video ScreeningsThe Misfits: 30 Years of Fluxus
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Daily (except Wednesdays), 3:00 p.m.
Lars Movin, 1993, 76 min.
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Film ScreeningCaravaggio
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Thursday, November 13, 2008, 7:00 p.m.
Saturday, November 22, 2008, 1:00 p.m.1986, 93 min.
Michelangelo Merisi da Caravaggio was an Italian baroque artist known as much for his glowing realistic paintings as his rebellious and dangerous ways. This film is a fictionalized
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Film ScreeningThe Tempest
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Saturday, November 15, 2008
1:00 p.m.
1979, 92 min.
A punk inspired adaptation of Shakespeare's Tempest. Much of the Shakespearian dialogue has been removed and haunting images successfully take its place. Filmed in Stoneleigh Abbey,
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Film ScreeningThe Last of England
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Saturday, November 22, 2008
3:00 p.m.
1988, 87 min.
Using all the elements of film that he was known for — non-linear narrative, arresting images, punk, homosexuality, and visual poetry — Jarman tackles the subject of
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Film ScreeningThe Garden
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Saturday, November 29, 2008
1:00 p.m.
1990, 92 min.
One of Jarman’s last films, The Garden follows the story of a gay couple who face public ridicule, humiliation, and death. Intertwined with the couple’s trials are
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Film ScreeningWittgenstein
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Saturday, November 29, 2008
3:00 p.m.
1993, 75 min.
A theatrical interpretation of the life and ideas of the 20th Century philosopher Ludwig Wittgenstein. Through sketches, Jarman presents Wittgenstein as a child, a lover of young
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