- November 03 - December 29, 2007
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True and False: Jeff Wall on Cinematography
Phyllis Wattis Theater
At the crucial moment in the mid-1970s when Jeff Wall formulated what was to become his project as an artist, he was thinking hard about the art of cinematography and its affinities with both photography and painting. Wall's work - the subject of a retrospective on view through January 27 - can be said to have emerged out of a reflection on these three art forms.
In conjunction with his retrospective, we invited Wall to select some of the films that most influenced him as he honed his art practice. The result is a season of independent classics from the 1960s and 1970s, a sampling of the work of some of the greatest cinematographers in film history, and a special kind of insight into Wall's art.
$5 general, students, and seniors; free for SFMOMA members or with Museum admission (requires free ticket, which can be picked up in the Haas Atrium). Tickets are available at the Museum (with no surcharge) or online.
True and False: Jeff Wall on Cinematography is generously supported by the Susan Wildberg Morgenstein Fund.
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Past
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Late Spring
1949, 108 min.
Direction: Yasujiro Ozu
Cinematography: Yuharu Atsuta -
Starring Setsuko Hara and Chishu Ryu - Ozu's favorite actors - Late Spring tells the story of the relationship between a widowed father and his grown-up daughter as she prepares for
Read moreSaturday, November 03, 2007
3:00 p.m.
Phyllis Wattis Theater
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Late Spring
1949, 108 min.
Direction: Yasujiro Ozu
Cinematography: Yuharu Atsuta -
Starring Setsuko Hara and Chishu Ryu - Ozu's favorite actors - Late Spring tells the story of the relationship between a widowed father and his grown-up daughter as she prepares for
Read moreSaturday, November 10, 2007
2:00 p.m.
Phyllis Wattis Theater
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Marnie
1964, 130 min.
Direction: Alfred Hitchcock
Cinematography: Robert Burks -
Marnie stars Tippi Hedren as a disturbed kleptomaniac terrified of the color red and Sean Connery as the businessman who becomes obsessed with her. It has a psycho-sexual intensity
Read moreSaturday, November 17, 2007
2:00 p.m.
Phyllis Wattis Theater
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Mouchette
1967, 78 min.
Direction: Robert Bresson
Cinematography: Ghislaine Cloquet -
Ingmar Bergman said of this film, "Mouchette, I loved it! Mouchette is a saint, and she takes everything upon herself, inside her, everything that happens. It makes such an
Read moreSaturday, November 24, 2007
2:00 p.m.
Phyllis Wattis Theater
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Mouchette
1967, 78 min.
Direction: Robert Bresson
Cinematography: Ghislaine Cloquet -
Ingmar Bergman said of this film, "Mouchette, I loved it! Mouchette is a saint, and she takes everything upon herself, inside her, everything that happens. It makes such an
Read moreThursday, November 29, 2007
5:30 p.m.
Phyllis Wattis Theater
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Fat City
1972, 110 min.
Direction: John Huston
Cinematography: Conrad L. Hall -
Huston's Fat City is a compelling portrayal of working-class life and of those who lose out in the pursuit of the American Dream. It is the story of two boxers: Jeff Bridges, who is
Read moreSaturday, December 01, 2007
2:00 p.m.
Phyllis Wattis Theater
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Fat City
1972, 110 min.
Direction: John Huston
Cinematography: Conrad L. Hall -
Huston's Fat City is a compelling portrayal of working class life and of those who lose out in the pursuit of the American Dream. It is the story of two boxers: Jeff Bridges, who is
Read moreSaturday, December 08, 2007
2:00 p.m.
Phyllis Wattis Theater
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The Bitter Tears of Petra von Kant
This event has been cancelled.
1972, 124 min.
Direction: Rainer Werner Fassbinder
Cinematography: Michael Ballhaus -
Ballhaus has served as director of photography for many of Martin Scorsese's films, from 1985's After Hours to last year's Oscar-winner The Departed. In the 1970s, however, he was
Read moreThursday, December 13, 2007
5:30 p.m.
Phyllis Wattis Theater
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The Bitter Tears of Petra von Kant
1972, 124 min.
Direction: Rainer Werner Fassbinder
Cinematography: Michael Ballhaus -
Ballhaus has served as director of photography for many of Martin Scorsese's films, from 1985's After Hours to last year's Oscar-winner The Departed. In the 1970s, however, he was
Read moreSaturday, December 15, 2007
2:00 p.m.
Phyllis Wattis Theater
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Persona
1966, 85 min.
Direction: Ingmar Bergman
Cinematography: Sven Nykvist -
The partnership between Bergman and Nykvist is perhaps the most famous one between a director and a cinematographer in the entire history of film. Persona centers on the
Read moreThursday, December 20, 2007
5:30 p.m.
Phyllis Wattis Theater
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Persona
1966, 85 min.
Direction: Ingmar Bergman
Cinematography: Sven Nykvist -
The partnership between Bergman and Nykvist is perhaps the most famous one between a director and a cinematographer in the entire history of film. Persona centers on the
Read moreSaturday, December 22, 2007
2:00 p.m.
Phyllis Wattis Theater
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The Mother and the Whore
1973, 210 min.
Direction: Jean Eustache
Cinematography: Pierre Lhomme -
Eustache died young but left us one incomparable classic: The Mother and the Whore, an epic study of sexual politics in the aftermath of the failed French revolution of 1968.
Read moreThursday, December 27, 2007
5:30 p.m.
Phyllis Wattis Theater
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Buy tickets
The Mother and the Whore
1973, 210 min.
Direction: Jean Eustache
Cinematography: Pierre Lhomme -
Eustache died young but left us one incomparable classic: The Mother and the Whore, an epic study of sexual politics in the aftermath of the failed French revolution of 1968.
Read moreSaturday, December 29, 2007
2:00 p.m.
Phyllis Wattis Theater











