Francesca Woodman, Polka Dots, Providence, Rhode Island, 1976; gelatin silver print; courtesy George and Betty Woodman; © George and Betty Woodman
Francesca Woodman, Self-portrait talking to Vince, Providence, Rhode Island, 1975–78; gelatin silver print; courtesy George and Betty Woodman; © George and Betty Woodman
Francesca Woodman, Caryatid, New York, 1980; diazotype; courtesy George and Betty Woodman; © George and Betty Woodman
Francesca Woodman, Untitled, Providence, Rhode Island, ca. 1976; gelatin silver print; collection of Susan Turner and Scott Purdin; © George and Betty Woodman
Francesca Woodman (1958-1981) was an artist decisively of her time, yet her photographs retain an undeniable immediacy. Thirty years after her death, they continue to inspire audiences with their dazzling ambiguities and their remarkably rich explorations of self-portraiture and the body in architectural space. This retrospective, the first in the United States in more than two decades, explores the complex body of work produced by the young artist until her suicide at age 22. Together with Woodman's artist books and videos, the photographs on view form a portrait of an artist engaged with major concerns of her era — femininity and female subjectivity, the nature of photography — but devoted to a distinctive, deeply personal vision.




In her all-too-brief life, Francesca Woodman produced a remarkable collection of photographs focused on the human form, many of them featuring her own body. This volume contains many previously unpublished photos. Available in the MuseumStore.