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Jukebox: The Studio of Acoustic Art
dates: September 11, 2000 - September 24, 2000

As part of a two-week international sound festival, SFMOMA has commissioned guest curator Klaus Schöning to present Jukebox, a mix of recorded acoustic art and experimental music by John Cage, Alvin Curran, Bill Fontana, Nicola Sani and other composers and acoustic artists drawn from the archives of Studio Acoustic Art in Cologne, Germany.

Acoustic art is a melting pot of heterogeneous elements: noise, language and music organized by means of electronic techniques into a new, unique genre. Jukebox will run daily in four rotating programs in the Museum's Phyllis Wattis Theater.

Photos: Courtesy of ars acustica







Monday 9.11
11am
PROGRAM I
2pm PROGRAM II

Tuesday 9.12
11am PROGRAM IV
3pm PROGRAM III

Thursday 9.14
11am PROGRAM I
2pm PROGRAM IV
6pm PROGRAM III

Friday 9.15
11am PROGRAM III
2pm PROGRAM IV

Saturday 9.16
11am PROGRAM II
3pm PROGRAM I

Sunday 9.17
11am PROGRAM III
2pm PROGRAM IV

Monday 9.18
11am PROGRAM III
2pm PROGRAM IV

Tuesday 9.19
11am PROGRAM II
3pm PROGRAM I

Thursday 9.21
11am PROGRAM III
2pm PROGRAM II
6pm PROGRAM I

Friday 9.22
11am PROGRAM II
3pm PROGRAM I

Saturday 9.23
11am PROGRAM III
2pm PROGRAM IV

Sunday 9.24
11am PROGRAM II

3pm PROGRAM I




The Studio of Acoustic Art is the experimental sound studio of the German television and radio network Westdeutscher Rundfunk [WDR] in Cologne. The initiative to establish the Studio was launched in 1963
under the leadership of Klaus Sch–ning. Since then, it has become a leading venue for the investigation,
production, and dissemination of ars acustica, or "acoustic art," an innovative genre that draws upon
and interweaves heterogeneous auditory elements into complex compositions. In addition to producing
a weekly radio broadcast on WDR, the Studio functions as an open atelier for practitioners from a variety
of artistic fields. In its 30 years of existence,the Studio has collaborated with over 120 international artists
and assembled an archive of over one thousand pieces. This includes original work as well as documentary materials [interviews, discussions, etc.]. Over 30 of its productions have received international prizes. Its
diverse programs and archives include polyphonic music, sound poetry, experimental literature, multilingual
collage, and urban soundscapes.



PROGRAM I (2 hrs 57 min total)

Bill Fontana
Earbridge Cologne-San Francisco, 1987; 59 min
Susan Stone
Terra Infirma, 1999 26 min
Charles Amirkhanian
Metropolis San Francisco, 1986-2000;
27 min
Tom Marioni
The Yellow Sound, for Kandinsky, 1991; 24 min
Mauricio Kagel
Nah und Fern / Near and Far, 1994;
41 min

PROGRAM II (3 hrs 51 min total)
Alison Knowles
Bean-Sequences, 1982; 29 min
Gerhard R¸hm / Klaus Sch–ning
Ophelia and the Words, 1987; 23 min
Pauline Oliveros
Humayun's Tomb, 198;7 30 min
Alvin Curran
For Julian, 1988; 32 min
George Brecht
The Hsin Hsin Ming by Seng Ts'an, 1983; 31 min
Malcolm Goldstein
as it were, another, 1998; 21 min
John Cage
James Joyce, Marcel Duchamp,
Erik Satie:
An Alphabet, 1990; 65 min




PROGRAM III (3 hrs 01 min total)

Randy Thom ;
Ear Circus Number Two, 1998 30 min
Ferdinand Kriwet
Radio, 1983; 29 min
Michael Riessler
Ji-Virus, 1995; 29 min
Sorrel Hays
Sound Shadows, 1990; 30 min
Josephine Truman
Sdreamings, 1991; 27 min
Anthony Moore
JamJemJimJomJum, 1999; 21 min
Ernst Jandl / Friederike Mayröcker
Five Man Humanity, 1984; 15 min

PROGRAM IV (3 hrs 53 min total)
Pierre Henry
La Ville. Die Stadt. Metropolis Paris, 1984; 65 min
Jürgen Becker

Houses, 1991; 43 min
Nicola Sani Matera Sassi, 1988; 21 min
Douglas Quin
Australis/Borealis, 1998; 45 min
R. Murray Schafer
Winter Diary 1997, 1997; 59 min


Note: Posted times may vary slightly. We suggest that you arrive a few minutes early in order to ensure that you will hear a program in its entirety.




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