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Jasper Johns: New Paintings and Works on Paper
on view: September 16, 1999 - January 4, 2000

Jasper Johns: New Paintings and Works on Paper features new artwork by Jasper Johns, one of the most influential artists of the last fifty years, introducing the first substantial body of work that the artist has created since 1997. The exhibition is organized by Gary Garrels, SFMOMA Elise S. Haas Chief Curator and curator of painting and sculpture.
Photo of Jasper Johns
© Jack Shear


 

The closely related suite of new work includes seven paintings, two drawings, one unique hand -- colored print and three other new prints. The larger paintings in the series are notable for spare, open fields of gray--not seen in Johns' work since the early 1960s--that evoke impressions of landscape, of sea and sky when light has been drowned by dense fog or rain. Allusions to figures, a Harlequin or pictogram of a Chinese costume, appear in these works for the first time. Inset images of a galaxy and the Big Dipper constellation pose questions of orientation and location. Gary Garrels, curator of the exhibition, states that "these works are closely related in subject and formal treatment, and it seems clear, even at this time so near to their completion, that they will mark one of the turning points that have characterized Johns' work throughout his career."

Attached to each of the paintings is a piece of wood, like a framing strip, that sets up a complex play of trompe l'oeil illusionism. Suspended from the wood, a simple white string forms a gentle arc in front of the painting surface. References to gravity and bridges are immediately brought to mind. The overall effect is a teasing and playful invitation to enter into the world created by the artist.



  

Complementing the exhibition, several other paintings by Johns from prior periods will be presented in an adjacent gallery to provide an introduction and context for the new work. The 1963 painting Land's End, a gift to SFMOMA in 1972 from Henry W. and Mary Margaret Anderson, will be joined by Fool's House, 1962, now on extended loan from Jean-Christophe Castelli to the Museum. Additionally, paintings from Johns' collection of his own work will be shown, including Wall Piece, 1968, which for many years has been on long-term loan to SFMOMA, Canvas, 1956, and Souvenir, 1964.

Born in Augusta, Georgia, in 1930, Jasper Johns is generally credited as a key figure in shifting American art away from Abstract Expressionism and toward the era of Pop art with his first solo exhibition in 1958. The iconic flag and target paintings of his early career have become among the most recognized images of American art; his most recent work, as seen in this exhibition, is characterized by abstract and austere fields of gray counterposed with enigmatic personal motifs that sustain reflections on memory and the nature of art.

A book focusing on Johns' new work will be published in conjunction with the exhibition, reproducing all of the new paintings and works on paper for the first time. Featuring thirteen full-color plates and ten black-and-white illustrations, the catalogue includes an introduction by Gary Garrels and major essays by Richard S. Field, Johns scholar and curator of prints, drawings and photographs at the Yale University Art Gallery, and Joachim Pissaro, Seymour H. Knox Curator of European and Contemporary Art at the Yale University Art Gallery. The book will be on sale in the SFMOMA MuseumStore. To order please call 415/357-4035 or email museumstore@sfmoma.org.

The exhibition will travel to the Yale University Art Gallery from January 20 through April 9, 2000, and then to the Dallas Museum of Art.





Jasper Johns: New Paintings and Works on Paper
is part of the Museum's New Work series, which features recent or commissioned work by both younger and established artists and is supported by the Collectors Forum of SFMOMA. Support for the publication has been provided by an anonymous donor.


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