Nam June PaikAmerican, born South Korea (Seoul, South Korea, 1932 - 2006, Miami Beach, Florida)
In 1965 Paik, a pioneer of video art, declared the video camera the paintbrush of the future. Made nearly twenty years later, this installation explores the nature of real-time video and creates a dialogue between the real and the represented, drawing our attention to the subjective nature of the medium.
A surveillance camera focuses on an egg and feeds its live signal to a succession of eight monitors, each larger than the one before, creating the illusion that the egg is growing. Meditative in tone and minimalist in strategy, the work is a humorous expression of video's capacity for exaggeration and offers insight into the impact of electronic communication on experience.