| Image | Title | Release Date | Artist(s) |
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Studio 13 Jass Band
The Studio 13 Jass Band is part of a long tradition of Bay Area artists who also play music. Founded in the late 1940s at the San Francisco Art Institute (SFAI, then called the |
January 2013 | ||
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Gary Tinterow on the influence of Cézanne's Bathers
Curator Gary Tinterow on other artists' admiration for Paul Cézanne's Bathers. Part of the special exhibition mobile tour for The Steins Collect: Matisse, Picasso, and the |
June 2011 |
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Janet Bishop on early reactions to Femme au chapeau
Curator Janet Bishop discusses the original shock value of Henri Matisse's Femme au chapeau. Part of the special exhibition mobile tour for The Steins Collect: Matisse, Picasso, and |
June 2011 | ||
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Henri Matisse's Boy with Butterfly Net: a token of friendship
Curator Janet Bishop discusses Boy with Butterfly Net and the deep friendship between the Matisse and Stein families. Part of the special exhibition mobile tour for The Steins |
June 2011 | ||
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Pablo Picasso's Carnet 10 and the artistic influence of Henri Matisse
Curator Janet Bishop discusses Henri Matisse's influence on the evolution of Pablo Picasso's style. Part of the special exhibition mobile tour for The Steins Collect: Matisse, |
June 2011 | ||
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Marie Laurencin's Group of Artists: a portrait of Picasso's circle
Curator Janet Bishop and art historian Emily Braun discuss Laurencin's depiction of Picasso and his friends. Part of the special exhibition mobile tour for The Steins |
June 2011 | ||
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Pablo Picasso's The Architect's Table and the origins of cubism
Curators Janet Bishop and Gary Tinterow on Pablo Picasso's painting The Architect's Table and the beginnings of Cubism. Part of the special exhibition mobile tour for The Steins |
June 2011 | ||
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Hilary Spurling on Matisse's Portrait of Sarah Stein
Matisse biographer Hilary Spurling describes the artist's portrait of Sarah Stein. Part of the special exhibition mobile tour for The Steins Collect: Matisse, Picasso, and the |
June 2011 | ||
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Janet Bishop on Juan Gris's Flowers
Curator Janet Bishop discusses Juan Gris's Flowers in the context of the artist's profound contributions to Cubism. Part of the special exhibition mobile tour for The Steins |
June 2011 | ||
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Femme au chapeau's Journey to SFMOMA
Curator Janet Bishop on how Henri Matisse's Femme au chapeau came into the collection. |
March 2011 | ||
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SFMOMA curators discuss Alphabetized
Curators Jennifer Fletcher and Apsara DiQuinzio discuss Tauba Auerbach's Alphabetized Bible. |
January 2011 | ||
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Rosana Castrillo Díaz's mica mural
Artist Rosana Castrillo Díaz discusses the role of light in her 2009 mural commission for SFMOMA. |
January 2011 | ||
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Tacita Dean on Beauty
Artist Tacita Dean discusses taking portraits of two trees, Majesty and Beauty. |
January 2011 | ||
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About Learning to Love You More
Artists Harrell Fletcher and Miranda July on the genesis of their participatory, online artwork, Learning to Love You More. |
January 2011 | ||
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Fletcher and July on Learning to Love You More
Artists Harrell Fletcher and Miranda July discuss being "fans of their audience". |
January 2011 | ||
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Bill Fontana on Sonic Shadows
Artist Bill Fontana on his site-specific sound installation, based on SFMOMA's fifth-floor pedestrian bridge. |
January 2011 | ||
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Apsara DiQuinzio on Sietsema's Calendar Sticks
Curator Apsara DiQuinzio discusses Paul Sietsema's meticulously re-crafted artifacts. |
January 2011 | ||
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Apsara DiQuinzio on Sietsema's The Famous Last Words
Curator Apsara DiQuinzio discusses Paul Sietsema's "message in a bottle". |
January 2011 | ||
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Stephanie Syjuco's Shadowshop
Artist Stephanie Syjuco on the complexities of creating a store inside a museum. |
January 2011 | ||
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Peter Wegner's map of nowhere
Artist Peter Wegner describes his exploration of "nameless" places in his work The United States of Nothing. |
January 2011 | ||
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Peter Wegner and neon
Artist Peter Wegner considers his relationship with neon, reflecting on both his personal history and his work. |
January 2011 | ||
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John Zarobell on Claes Oldenburg's sculptures
Curator John Zarobell discusses artists Claes Oldenburg and Coosje van Bruggen's monumental sculptures of everyday objects. Part of Making Sense of Modern Art Mobile, SFMOMA's |
June 2010 | ||
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John Zarobell on Oldenburg's small-scale studies
Curator John Zarobell discusses the small-scale studies by Claes Oldenburg and Coosje van Bruggen in the Doris and Donald Fisher Collection. |
June 2010 | ||
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John Zarobell on The Store
Curator John Zarobell discusses artist Claes Oldeburg's guerrila art action, The Store. Part of Making Sense of Modern Art Mobile, SFMOMA's handheld multimedia tour. |
June 2010 | ||
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Gary Garrels discusses Sigmar Polke's mythical paintings
Curator Gary Garrels discusses artist Sigmar Polke's series of five paintings entitled The Spirits That Lend Strength Are Invisible. Part of Making Sense of Modern Art Mobile, |
June 2010 | ||
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Robert Storr on understanding Gerhard Richter
Curator Robert Storr on the early photo paintings by artist Gerhard Richter. Part of Making Sense of Modern Art Mobile, SFMOMA's handheld multimedia tour. |
June 2010 | ||
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John Zarobell on Ed Ruscha
Curator John Zarobell on the relationship between artist Ed Ruscha's silhouette paintings and his signature text paintings. Part of Making Sense of Modern Art Mobile, SFMOMA's |
June 2010 | ||
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Tom Marioni and Richard Serra on Serra's Prop pieces
Artist Tom Marioni speaks about his first encounter with Richard Serra's prop pieces, and Serra offers his own take on the peculiar physical quality of these works. Part of Making |
June 2010 | ||
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Richard Serra on his use of steel
Artist Richard Serra considers his long history with his most common material: steel. Part of Making Sense of Modern Art Mobile, SFMOMA's handheld multimedia tour. |
June 2010 | ||
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SFMOMA curators on Joel Shapiro
Curators John Zarobell and Gary Garrels discuss the work of sculptor Joel Shapiro. Part of Making Sense of Modern Art Mobile, SFMOMA's handheld multimedia tour. |
June 2010 |