| Image | Title | Release Date | Artist(s) |
|---|---|---|---|
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Matthew Barney discusses his influences
Matthew Barney talks about the ways performance art and works such as Richard Serra's Gutter Corner Splash: Night Shift (1969/1995) influenced his development as an artist. |
June 2006 | ||
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Matthew Barney on working in Japan
While in Japan working on his film DRAWING RESTRAINT 9, Matthew Barney was deeply influenced by his new environment. Here he discusses his efforts to communicate in a foreign |
June 2006 | ||
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Matthew Barney on DRAWING RESTRAINT 9
Matthew Barney discusses his film Drawing Restraint 9. |
June 2006 | ||
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Matthew Barney discusses his materials
Matthew Barney discusses the use of plastics and petroleum jelly as art materials. |
June 2006 | ||
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Amy Franceschini on victory gardens
Artist Amy Franceschini looks back on the victory gardens of the early 20th century and talks about her own victory garden project. |
March 2006 | ||
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Richard Tuttle on treating art as adventure
Sculptor Richard Tuttle discusses his views about the meaning and purpose of art. |
July 2005 | ||
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Who is Richard Tuttle?
This video introduces Richard Tuttle, one of the foremost artists of our time. He uses a wide variety of materials—from paint to wire to plywood—to create delicate |
July 2005 | ||
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Richard Tuttle: Painter or sculptor?
Curator Madeleine Grynsztejn discusses the way Tuttle's work blurs traditional boundaries between painting, sculpture, and drawing. |
July 2005 | ||
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Richard Tuttle's use of language
Curator Madeleine Grynsztejn discusses Tuttle's use of language. |
July 2005 | ||
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Looking at Richard Tuttle's work
Curators Madeleine Grynsztejn and Connie Butler present a framework for understanding a work by Richard Tuttle. |
July 2005 | ||
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Early criticisms of Richard Tuttle's work
Marcia Tucker recounts the art world's reaction to Tuttle's first major museum exhibition. |
July 2005 | ||
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Richard Tuttle and the idea of nothingness
Richard Tuttle and curator Connie Butler explore the use of small scale and humble materials in Tuttle's work. |
July 2005 | ||
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Richard Tuttle at work
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. |
July 2005 | ||
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Gary Hill's Suspension of Disbelief (for Marine)
Video artist Gary Hill talks about his work Suspension of Disbelief (for Marine) (1991-92). |
February 2005 | ||
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Gary Hill discusses Circular Breathing
Video artist Gary Hill discusses his installation work Circular Breathing (1994). |
February 2005 | ||
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Gary Hill discusses Cut Pipe
Video artist Gary Hill discusses his work Cut Pipe (1992). |
February 2005 | ||
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Gary Hill discusses his artistic practice
Video artist Gary Hill discusses his working methods and his use of his own body in his works. |
February 2005 | ||
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Gary Hill discusses Viewer
Video artist Gary Hill talks about the genesis of his work Viewer (1996). |
February 2005 | ||
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Gary Hill discusses Wall Piece
Video artist Gary Hill discusses the genesis of his work Wall Piece (2000). |
February 2005 | ||
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Robert Bechtle discusses his work
Artist Robert Bechtle explains why his painting Alameda Gran Torino (1974) should be considered a landscape, rather than a still life. |
January 2005 | ||
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Kara Walker's No Mere Words...
Kara Walker discusses the process of creating her installation No Mere Words Can Adequately Reflect The Remorse This Negress Feels At Having Been Cast Into Such A Lowly State By Her |
December 2004 | ||
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Doris Salcedo discusses her sources
Colombian-born sculptor Doris Salcedo discusses the sources that inspire her work. |
December 2004 | ||
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Doris Salcedo discusses the intentions behind her work
Colombian-born sculptor Doris Salcedo discusses the intentions behind her work and the significance of her materials. |
December 2004 | ||
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2x4's Anybody
A video animation of Anybody (1994), a book by the design collective 2x4. |
December 2004 | ||
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2x4 interprets Vitra
A video animation of the design collective 2x4's logo for the Swiss furniture manufacturer Vitra. |
December 2004 | ||
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Doris Salcedo on the importance of memory
Colombian-born sculptor Doris Salcedo discusses the role memory plays in the work she creates. |
December 2004 | ||
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Doris Salcedo discusses her artistic identity
Colombian-born sculptor Doris Salcedo discusses the impact of heritage on her artistic identity. Part of SFMOMA's multimedia gallery tour Making Sense of Modern Art Mobile. |
December 2004 | ||
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Kara Walker on her nineteenth-century influences
Artist Kara Walker discusses her affinity for popular nineteenth-century art forms such as the silhouette and the cyclorama. |
December 2004 | ||
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Kara Walker's "uneasy relationship" with her own imagination
Artist Kara Walker discusses her sources and her "uneasy relationship" with her own imagination. Part of SFMOMA's multimedia gallery tour Making Sense of Modern Art Mobile |
December 2004 | ||
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Kara Walker's alter ego
Artist Kara Walker discusses her alter ego, the "Negress of Noteworthy Talent." |
December 2004 |