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Title Release Date Artist(s)
Anne Wagner on the meaning of Eva Hesse's Untitled or Not Yet

Art historian Anne Wagner discusses the meaning of Eva Hesse's Untitled or Not Yet (1966).

January 2002
Anne Wagner on the ambiguities in Eva Hesse's work

Art historian Anne Wagner discusses the ambiguity of Eva Hesse's Untitled or Not Yet (1966).

January 2002
Studio assistant Doug Johns on Eva Hesse's Sans II

Sculptor and designer Doug Johns, one of Eva Hesse's main studio assistants, discusses the creation of the artist's work Sans II (1968).

January 2002
Eva Hesse on referencing the human body

Artist Eva Hesse discusses references to the body in her work. 

January 2002
Eva Hesse on impermanence of her materials

Eva Hesse discusses the way her intention to create impermanent works of art influenced her choice of materials. 

January 2002
Sol LeWitt on Eva Hesse's choice of materials

Artist Sol LeWitt discusses the materials Hesse used in her work.

January 2002
Sol Lewitt on Eva Hesse's Metronomic Irregularity II

Artist Sol LeWitt discusses impermanent works of art, focusing on Eva Hesse's Metronomic Irregularity II (1966).

January 2002
A conservator's take on Eva Hesse's work

Conservator Jill Sterrett discusses Eva Hesse's use of materials and considers the relationship between her drawings and sculptures.

January 2002
Eva Hesse's use of latex

Conservator Michelle Barger discusses the use of latex in Eva Hesse's work.

January 2002
The making of Eva Hesse's Aught

Conservator Michelle Barger discusses the materials and construction of Eva Hesse's Aught (1968). 

January 2002
Eva Hesse's artistic process

Conservators Jill Sterrett and Michelle Barger discuss the materials and impermanence of Eva Hesse's works.

January 2002
Looking at Eva Hesse's work

Curator Elisabeth Sussman presents multiple ways of looking at Eva Hesse's works.

January 2002
Studio assistant Doug Johns discusses Eva Hesse's work

Sculptor and designer Doug Johns, one of Eva Hesse's main studio assistants, discusses the artist's work.

January 2002
Eva Hesse's Untitled (Rope Piece)

Curator Elisabeth Sussman explains the genesis of Eva Hesse's Untitled (Rope Piece) (1970).

January 2002
Caring for Eva Hesse's Aught

Conservator Michelle Barger assesses the condition of Eva Hesse's Aught (1968) and describes the ways that the artist's materials have changed over time.

December 2001
Robert Storr on making sense of Gerhard Richter's work

Curator Robert Storr discusses the process of selecting which works to include in SFMOMA's Gerhard Richter exhibition.

December 2001
Robert Storr on organizing Gerhard Richter: Forty Years of Painting

Curator Robert Storr looks at Gerhard Richter's use of photography and abstraction.

December 2001
Gerhard Richter, photography, and abstraction

Curator Robert Storr discusses Gerhard Richter's works, which defy easy classification.

December 2001
Elisabeth Sussman on Eva Hesse's Expanded Expansion

Curator Elisabeth Sussman discusses the unconventional materials used in Eva Hesse's Expanded Expansion (1969) and considers the impact of gravity on the work.

December 2001
Jasper Johns on the ideas behind his work

Artist Jasper Johns discusses his artistic process and the thinking behind his work.

October 2001
Jasper Johns discusses his target paintings

Artist Jasper Johns discusses the process of creating his target paintings.

October 2001
Ansel Adams prints Moonrise

Archival footage showing Ansel Adams in the process of printing his photograph Moonrise, Hernandez, New Mexico.

August 2001
Ansel Adams discusses capturing his famous moonrise

Ansel Adams discusses how he captured his photograph Moonrise, Hernandez, New Mexico.

August 2001
Ansel Adams on his relationship to environmentalism

Photographer Ansel Adams discusses his connection to the natural world and comments on the use of his work by environmentalists.

August 2001
Douglas R. Nickel on Ansel Adams's Surf Sequence

Curator Douglas R. Nickel analyzes the formal and conceptual qualities of Ansel Adams's Surf Sequence photograph series of the 1940s.

August 2001
Ansel Adams on his working methods

Photographer Ansel Adams discusses his working methods.

August 2001
Ansel Adams on photography and visualization

Ansel Adams discusses his approach to photography.

August 2001
Ansel Adams on photographing Yosemite

Ansel Adams talks about photographing Yosemite National Park.

August 2001
Diego Rivera's frescoes

Ernest Halberstadt, an assistant to Diego Rivera, explains the process of making plaster for Rivera's fresco paintings.

May 2001
Diego Rivera reads the Manifesto for an Independent Revolutionary Art

In this video Diego Rivera reads the Manifesto for an Independent Revolutionary Art. Although the manifesto was signed by Rivera and the French Surrealist André Breton, it is…

May 2001