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Title Release Date Artist(s)
Madeleine Grynsztejn on Olafur Eliasson's Model Room

Curator Madeleine Grynsztejn discusses Olafur Eliasson's Model Room (2003).

September 2007
Olafur Eliasson discusses his work

Olafur Eliasson explains the problems and themes that most interest him as an artist.

September 2007
Olafur Eliasson on making sense of the world

Widely heralded as one of the most important artists of his generation, Olafur Eliasson nimbly merges art, science, and natural phenomena to create extraordinary multisensory…

September 2007
Olafur Eliasson discusses his studio

Olafur Eliasson discusses the laboratory-like nature of his Berlin studio, where he works with a team of designers and engineers to develop the ideas and experiments that give rise…

September 2007
Olafur Eliasson on temporality

Olafur Eliasson discusses the ways his work addresses temporality.

September 2007
Will Shank on discovering a hidden Picasso

Paintings conservator Will Shank explains the process that led to the discovery of a hidden painting by Pablo Picasso.

January 2007
Why would Picasso hide a painting?

Paintings conservator Will Shank discusses the intentions behind Picasso's hidden painting.

January 2007
Brice Marden on Grove Group II

Brice Marden talks about the inspiration for his work Grove Group II (1972).

January 2007
Brice Marden on The Dylan Painting

Painter Brice Marden discusses his work The Dylan Painting (1966).

January 2007
Brice Marden: Looking at paintings

Artist Brice Marden discusses various ways of looking at paintings.

January 2007
Jeff Wall on staged photography

Photographer Jeff Wall discusses the origins of staged photography.

December 2006
Jeff Wall: "I begin by not photographing"

Photographer Jeff Wall discusses his artistic process.

December 2006
Jeff Wall on the influence of painting

Photographer Jeff Wall discusses the aesthetic similarities and differences between photographs and paintings, and explains the ways that paintings have influenced his photographic…

December 2006
Henry Wessel on the road

Henry Wessel discusses taking photographs while on the road.

December 2006
Henry Wessel on his artistic process

Photographer Henry Wessel explains his artistic process.

December 2006
Henry Wessel discusses "Night Walk"

Photographer Henry Wessel discusses his series Night Walk.

December 2006
Kota Ezawa on the evolution of his drawings

Kota Ezawa discusses the way his works evolve from photographic images into drawings.

December 2006
Anselm Kiefer on being an artist

German painter Anselm Kiefer offers his perspective on being an artist.

October 2006
Anselm Kiefer on mythology and human experience

German painter Anselm Kiefer discusses the relationship between mythology and human experience.

October 2006
Deborah Luster on the origins of One Big Self: Prisoners of Louisiana

Photographer Deborah Luster discusses the origins of her project One Big Self:Prisoners of Louisiana (1998–2002). 

September 2006
Deborah Luster on her accidental performance work

Deborah Luster speaks about the way surveillance cameras intended to secure the installation of One Big Self transformed the piece into a video performance work.

September 2006
Deborah Luster discusses printing on aluminum plates

Deborah Luster discusses her method of using aluminum photographic plates.

September 2006
Deborah Luster discusses individual works from her One Big Self project

Photographer Deborah Luster discusses a few examples of the more than 25,000 portraits she created as part of One Big Self: Prisoners of Louisiana (1998–2002).

September 2006
Patricia Albers on Tina Modotti and Edward Weston

Curator Patricia Albers discusses the time that photographers Tina Modotti and Edward Weston spent in Mexico.

September 2006
Matthew Barney on ambergris

Artist Matthew Barney discusses ambergris as a metaphor for how one interacts with a new environment.

June 2006
Matthew Barney on the origins of DRAWING RESTRAINT

Matthew Barney discusses the origins of his series DRAWING RESTRAINT.

June 2006
Matthew Barney on the field emblem

Artist Matthew Barney considers the field emblem, one of the central motifs in his series DRAWING RESTRAINT.

June 2006
Matthew Barney discusses his influences

Matthew Barney talks about the ways performance art and works such as Richard Serra's Gutter Corner Splash: Night Shift (1969/1995) influenced his development as an artist.

June 2006
Matthew Barney on working in Japan

While in Japan working on his film DRAWING RESTRAINT 9, Matthew Barney was deeply influenced by his new environment. Here he discusses his efforts to communicate in a foreign…

June 2006
Matthew Barney on DRAWING RESTRAINT 9

Matthew Barney discusses his film Drawing Restraint 9.

June 2006