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Petah Coyne
Untitled #1181 (Dante's Daphne), 2004-6

Artwork Info

Artwork title
Untitled #1181 (Dante's Daphne)
Artist name
Petah Coyne
Date created
2004-6
Classification
sculpture
Medium
fabricated tree branches, chicken wire fencing, rayon and silk flowers, berries, feathers, specially formulated wax, silk/rayon velvet, nylon thread, wire, cable, shackles, pearl-headed hat pins, black spray paint, metal tubing, metal wire, flowers
Dimensions
62 in. × 70 in. × 101 in. (157.48 cm × 177.8 cm × 256.54 cm)
Date acquired
2012
Credit
Collection SFMOMA
Purchase through a gift from Thomas J. White in memory of Leslie Scalapino
Copyright
© Petah Coyne, Courtesy Galerie Lelong, New York
Permanent URL
https://www.sfmoma.org/artwork/2012.77
Artwork status
Not on view at this time.

Audio Stories

Hear the artist reflect on how literature and Greek mythology inspired this collection piece

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transcripts

PETAH COYNE: So, Daphne is a minor figure from Greek mythology, and she was considered, actually, a nymph, but she was such a beauty and Apollo fell in love with her. And so, he really chased her and was just about ready to catch her and she was freaked out. And so, she was running and just screaming to her father, who was the god of the river. 

And so, her father turned her into a laurel tree. Dante’s Daphne has a bit of pissiness, and it’s a little bit closer to Miss Havisham, who’s always been a favorite of mine. I’m always combining other famous women characters with other women characters, and they live in many of my sculptures.  

Dante’s Daphne took a very long time to actually put the whole thing together. I want to say two years. Sometimes it gets so buried in there I’ll forget at the end because it’s built over such a long period of time; all the things. What goes out the door has to be good, but there’s been a lot of bad made in here. And some days I try to make really bad because sometimes when you make really bad, it’s really good. So that’s what we do here. 

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