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Meret Oppenheim
Miss Gardenia, 1962

Artwork Info

Artwork title
Miss Gardenia
Artist name
Meret Oppenheim
Date created
1962
Classification
sculpture
Medium
plaster in metal frame with metallic paint
Dimensions
10 5/8 in. × 6 1/2 in. × 4 1/4 in. (26.99 cm × 16.51 cm × 10.8 cm)
Date acquired
1980
Credit
Collection SFMOMA
Helen Crocker Russell Memorial Fund purchase
Copyright
© Artists Rights Society (ARS), New York / ProLitteris, Zürich
Permanent URL
https://www.sfmoma.org/artwork/80.45
Artwork status
Not on view at this time.

Audio Stories

Is this frame as sweet as it looks?

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transcripts

SFX: twiddly, dainty sound — lots of reverb, placing us in a strange world, like inside a music box 

 

NARRATOR (as if she’s just walking up to it):  

That’s a cute little frame. Roses and twirls. My Grandma had one like that. Sweet. 

 

SFX: twiddly sound “melts” under narration and warps into something dark and disturbing 

 

NARRATOR:  

Okay, maybe sweet is not the word. I wonder if this was this some kind of Victorian mirror in a past life …?

 

SFX: glass cracking, exploding in shards 

 

NARRATOR:  

Okay, never mind. Let me look at the label. Who made this? Meret Oppenheim. Hmmm. Makes sense. I have a vague recollection that he was into Surrealism.

 

FEMALE VOICE:  

Sheeeeee 

 

NARRATOR:  

She? 

 

FEMALE VOICE:  

Sheeeee 

 

NARRATOR:  

Oh, right. Meret Oppenheim was a woman. And according to the label, she named this Miss Gardenia.  

 

FEMALE VOICE:  

Exquissssssite … ssssssssubversive 

 

FEMALE VOICE: 

Snarl 

 

NARRATOR:

I guess I should say “her,” not “it.” That shape in the center is definitely … female.  

 

FEMALE VOICE (whispers, eerie, subliminal, echoey):  

Exquissssssite … ssssssssubversive 

 

NARRATOR:  

Those legs make her look almost alive.  

 

SFX: Surrealist music/sounds that make no sense bubble to the surface 

 

NARRATOR:  

I could definitely use some help here. I need one of those Mary Poppins fairy godmothers, but, like, an art expert.  

 

FEMALE VOICE:  

Whitney Chadwick 

 

NARRATOR:  

Whitney Chadwick? 

 

CHADWICK:  

Miss Gardenia is one of my favorite Surrealist objects. It is so exquisite and so subversive.  

 

FEMALE VOICE:  

Whitney Chadwick 

 

NARRATOR:  

Whitney help me out here, what is going on? 

 

CHADWICK:  

Miss Gardenia suggests a flower. And the gardenia, that flower that’s so easily bruised, so absolutely beautiful and perfect, until you touch it, and then it’s suddenly brown and wilting around the edges. 

 

SFX: soundbed melts until glass shatters 

 

CHADWICK:  

Just let go of preconceptions. Let go of assumptions about what a work of art should look like and think about the possibilities of what might be suggested by the work. What does it suggest to you? What does it remind you of? Does it take you to places inside yourself, as well as in the external world? 

 

FEMALE VOICE:  

Exquissssssite … ssssssssubversive 

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Audio Description

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transcripts

NARRATOR:

This is Meret Oppenheim’s sculpture Miss Gardenia from 1962. This small work, less than a foot high and only six and a half inches wide, is a surrealistic take on an everyday object. Oppenheim presents an ornate gold picture frame on three legs. The frame is exquisitely detailed, with deep-grooved leaves and flowers in full bloom. At the center of the top border of the frame, the gold-painted metal rises up like a tiara, capped in roses. Inside the frame is a white plaster surface. The plaster is mostly featureless, except for a frieze of garden blossoms along its bottom edge. The center of the plaster bulges forward, creating a seam, as if something very sharp is pushing out from behind, about to slice through.  

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Other Works by Meret Oppenheim

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