In 1965 Paik, a pioneer of video art, declared the video camera the paintbrush of the future. Made nearly twenty years later, this installation explores the nature of real-time video and creates a dialogue between the real and the represented, drawing our attention to the subjective nature of the medium.
A surveillance camera focuses on an egg and feeds its live signal to a succession of eight monitors, each larger than the one before, creating the illusion that the egg is growing. Meditative in tone and minimalist in strategy, the work is a humorous expression of video’s capacity for exaggeration and offers insight into the impact of electronic communication on experience.
36 in. × 108 in. × 216 in. (91.44 cm × 274.32 cm × 548.64 cm)
Date acquired
1989
Credit
Collection SFMOMA San Francisco Museum of Modern Art, Accessions Committee Fund: gift of Elaine McKeon, Byron R. Meyer, Madeleine Haas Russell, and Mr. and Mrs. Robert A. Swanson
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