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Jenny Holzer
Truisms, 1983

Artwork Info

Artwork title
Truisms
Artist name
Jenny Holzer
Date created
1983
Classification
installation
Medium
electronic LED sign
Dimensions
5 5/8 in. × 40 1/8 in. × 4 in. (14.29 cm × 101.92 cm × 10.16 cm)
Credit
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Copyright
© Jenny Holzer / Artists Rights Society (ARS), New York
Permanent URL
https://www.sfmoma.org/artwork/FC.491
Artwork status
On view on floor 5 as part of Afterimages: Echoes of the 1960s in the Fisher and SFMOMA Collections

Audio Stories

How does the artist use "truisms"?

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transcripts

NARRATOR:  

Curator Gary Garrels 

 

GARY GARRELS: 

Jenny Holzer was part of young generation of artists who settled in NY in late 1970s who were generally living downtown, Lower East Side, East Village, very interested in art being an expression of their urban environment, and part of a social environment. Artists were dealing with work very specifically about social content.  

Holzer began writing very simple statements about values, about relationships between classes, between sexes. And she developed these texts and then would find different ways for those to be communicated. So originally, she did these street posters, broadsheets put up in the middle night, guerilla that would just disappear. Then she became fascinated by this new technology that was just developing, LEDs. 

 

NARRATOR: 

In 1982, Holzer programmed an electronic marquee in Times Square to broadcast her truisms as part of a public art project. Holzer said in a 1990 interview that she liked having her words on signs normally used for advertising because, quote, It was like having the voice of authority say something different from what it would normally say. 

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These scrolling, jumping, and flashing red lights spell out 234 of 253 truisms Holzer originally wrote for display on posters that were scattered throughout New York from 1977 to 1979. The artist crafted the unsigned, provocative, and authoritative statements to spark dialogue and reclaim public space; she went on to produce them in a variety of formats, ranging from T-shirts and condoms to a website and the LED sign seen here, which evolved from a 1982 Times Square installation. These declarations prompt many questions: Whose truths are represented? How can civic engagement be inspired?

Gallery text, 2018

Other Works by Jenny Holzer

See other works by Jenny Holzer

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