As sculpture has evolved from Rodin's massive bronzes to Minimalism's machined surfaces, evidence of the artist's hand has been increasingly obscured. Using Harrison's unusual handcrafted amalgamations as a focal point, Dawsey discusses the status of sculpture today.
The Unusual Suspect: The Sculpture of Rachel Harrison
Related Exhibition New Work
Friday, January 28, 2005, 11:00 a.m.
Koret Visitor Education Center
Jill Dawsey, curatorial associate, painting and sculpture, SFMOMA