At a Topping Out ceremony on Wednesday, September 10, the San Francisco Museum of Modern Art (SFMOMA) drew a crowd of some 1,000 supporters to celebrate the raising of the steel beam that brought the structure of the museum’s 235,000-square-foot Snøhetta-designed building expansion to its highest point.
Held in Jessie Square—an outdoor plaza in the heart of the museum’s South of Market surroundings—the free, public event gathered museum and community leaders, friends, and neighbors to view the beam as it was hoisted into place on the 10-story addition that’s been rising up behind SFMOMA’s current building since the museum broke ground on the project more than a year ago.
Topping Out officially marks the halfway point in SFMOMA’s coming transformation, and is also a milestone for the realization of its expanded role in the Bay Area. When the museum reopens in 2016, it will provide better art experiences in a new home that features nearly triple the amount of gallery space; an expanded ground floor of art-filled, admission-free areas; more flexible spaces for live performance; and dramatically expanded education programs for students and teachers.
SFMOMA Director Neal Benezra; Deputy Director, Curatorial Affairs Ruth Berson; Board President Robert J. Fisher; and Board Chair Charles R. Schwab and his wife Helen Schwab were joined by San Francisco Mayor Edwin M. Lee; Snøhetta principals Craig Dykers and Kjetil Thorsen; Webcor CEO Jes Pedersen; SFMOMA Board Vice-Chair Diana Nelson; and EHDD President Duncan Ballash in marking this historic moment for the institution.
“When we moved to this neighborhood in 1995 we were pioneers,” stated SFMOMA Director Neal Benezra. “As our collections, programs, and audiences have grown exponentially over the past 19 years, the neighborhood has grown around us to become the cultural heartbeat of San Francisco. With this next chapter in our history, we invite you—the forward-thinking community that has made this possible—to join us in making the city an even stronger center for creativity and civic dialogue.”
Other art enthusiasts who turned out to celebrate included SFMOMA trustees Dolly Chammas, Carla Emil, Doris Fisher, Mimi Haas, Christopher Meany, Charlotte Shultz, Norah and Norman Stone, Susan Swig, and Robin Wright; along with cultural and civic leaders such as San Francisco Arts Commission Board President JD Beltran; Fine Arts Museums Deputy Director Richard Benefield; YBCA Executive Director Deborah Cullinan; CEO of the San Francisco Convention & Visitors Bureau Joe D’Alessandro; San Francisco Arts Commission Director of Cultural Affairs Tom DeCaigny; MoAD Executive Director Linda Harrison; Contemporary Jewish Museum Executive Director Lori Starr; and SF Jazz Executive Artistic Director Randall Kline.
“As we celebrate a milestone in the construction of an expanded SFMOMA for our city, we also celebrate the innovation of our residents in building a world-class museum and the innovation in art that fills the walls of SFMOMA,” said San Francisco Mayor Edwin M. Lee. “SFMOMA will bring people from around the world together, and I can’t wait for its reopening in 2016.”
Topping Out festivities included:
About SFMOMA’s Expansion
More than just an extension of the building’s physical footprint, SFMOMA’s expansion represents a transformation of the museum as a whole. By showcasing more of its expanded permanent collection and increasing opportunities for learning and access to modern and contemporary art for all people, the new SFMOMA is expanding its role as a place for inspiration in the Bay Area and as an international art destination.
Developed in collaboration with the architecture firm Snøhetta, SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, and three levels that will house enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of free-access public space, nearly tripling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings.