American
1933, New York, New York
1996, Riverhead, New York
After a brief stint at seminary and meteorological training in the military, Dan Flavin pursued his artistic studies in the late 1950s at Columbia University and the New School. By 1961, he had abandoned his early assemblages of found objects and begun his signature work: sculptural installations made from fluorescent light bulbs.
Like the work of his fellow Minimalists, Flavin’s art is clean, industrially produced, and serially repeating. These qualities were developed in opposition to the gestural expressionist painting dominant in postwar American art. The use of ordinary light bulbs also references the twin modernist obsessions with pure technology and everyday life.
By basing his work as much in radiated light as in the bulbs themselves, Flavin set the stage for much of the experience-oriented installation work that continues today.
Curator Tiffany Bell on Flavin’s use of light
Español
普通话
Please note that artwork locations are subject to change, and not all works are on view at all times.
Only a portion of SFMOMA's collection is currently online, and the information presented here is subject to revision. Please contact us at collections@sfmoma.org to verify collection holdings and artwork information. If you are interested in receiving a high resolution image of an artwork for educational, scholarly, or publication purposes, please contact us at copyright@sfmoma.org.
This resource is for educational use and its contents may not be reproduced without permission. Please review our Terms of Use for more information.