A native of Toronto, Frank Gehry has lived and worked in Southern California since 1947. There he continued in the tradition of a group of architects, including Richard Neutra and Rudolf Schindler, who relocated to the Los Angeles area seeking a cultural and economic climate ripe for architectural innovation.
Unlike many of his Modernist predecessors, however, who favored an aesthetic purity defined by orthogonal lines and white surfaces, Gehry experimented with shapes and materials that were comparatively unrefined .For the renovation of his own house in Santa Monica, for example, Gehry used a palette of unconventional materials — chain-link fence, exposed lath, and corrugated metal — to construct an industrial-looking wrapper for the original Dutch colonial structure.
By the 1990s, Gehry had developed an interest in using digital technology to sculpt awe-inspiring forms; for the Guggenheim Museum in Bilbao, Spain, he adapted a method of three-dimensional modeling used by the aerospace industry to create a shimmering display of billowing sails.
Please note that artwork locations are subject to change, and not all works are on view at all times. If you are planning a visit to SFMOMA to see a specific work of art, we suggest you contact us at email@example.com to confirm it will be on view.
Only a portion of SFMOMA's collection is currently online, and the information presented here is subject to revision. Please contact us at firstname.lastname@example.org to verify collection holdings and artwork information. If you are interested in receiving a high resolution image of an artwork for educational, scholarly, or publication purposes, please contact us at email@example.com.