1904, Rotterdam, The Netherlands 1997, East Hampton, New York
A central figure in the mid-century New York school of painting, Willem de Kooning was trained in Rotterdam in commercial arts. He emigrated to the U.S. in 1926 and worked initially as a house painter, and as an artist for the Works Progress Administration.
By the 1940s, de Kooning had developed an abstract style distinguished by thick, heavily worked surfaces and vigorous brushwork. He then shocked the art world in 1953 by returning to figuration at the moment of abstraction's greatest success. His flattened depictions of women provide both a critique of Western standards of beauty and an exploration of male sexual fantasies and anxieties.
De Kooning's later period focused mainly on abstracted landscapes. In the 1980s, in failing health, he developed an entirely different abstract style, using primary colors and open, ribbonlike forms.
To the tune of some smooth jazz, Willem de Kooning reflects on the “absurdity“ of painting human figures, discussing how he ultimately came to follow his true artistic instincts.
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