Martin Kippenberger
German
1953, Dortmund, Germany
1997, Vienna, Austria
Works in the Collection
-
Martin KippenbergerZmizely (Gone)
-
Martin KippenbergerMartin Kippenberger
-
Martin KippenbergerWindowshopping bis 2 Uhr Nachts (Window Shopping until 2 at Night)
-
Martin KippenbergerL'Atelier Matisse sous-loué à Spiderman (The Matisse Atelier Sublet to Spiderman)
-
Martin KippenbergerThe Image of Europe
-
Martin KippenbergerAbsolut L.A. International
-
Martin KippenbergerDas 2. Sein. Werke aus der Sammlung Gräßlin (The Second Being: Works from the Grässlin Collection)
-
Martin KippenbergerFrauenkunst-Männerkunst (Women's Art-Men's Art)
-
Martin KippenbergerCandidature à une rétrospective (Candidacy for a Retrospective)
-
Martin KippenbergerCandidature à une rétrospective (Candidacy for a Retrospective)
-
Martin KippenbergerDas Pferd und die Tiefe Künstlerbücher (The Horse and the Abyss Artists' Books), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerPräsentation Plakate I Buch (Presentation Posters Book I), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerL.A. My Third Lady
-
Martin KippenbergerStefan Mattes, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerD.E.d.A.6, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerCollages, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerCe Calor 2, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerAngst (Fear), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerNot to be the second Winner Part II from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerEurobummel I (Euro-Stroll I), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerD.E.d.A.7, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerMarkus Oehlen, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerDisco Bombs, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerZwei Siebdrucker aus Nigeria (Two Silk Screeners from Nigeria), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerMillionen Feuerwerk/Jackie (Multimillion-Dollar Firecracker/Jackie), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerDas Medium der Fotografie ist berechtigt Denkanstösse zu geben (The Medium of Photography Has the Right to Stimulate Thought Processes), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerJazz in Flammen (Jazz in Flames), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerArchitekturmuseum, from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerSchade das nicht alle Photographen große klasse sind (Too Bad that Not All Photographers Are in the Big League), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerNochmal Petra (Petra Again), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerEinladung zur ACID-HOUSE-IH-WIßT-WO-Party (Invitation to the ACID-HOUSE-YOU-KNOW-WHERE-Party), from the portfolio Mut zum Druck (Courage to Print)
-
Martin KippenbergerBuchholz + Schipper
-
Martin KippenbergerDie Perspektivenscheisse (The Perspective-Shit), from the portfolio O. T. Maniac
-
Martin KippenbergerGrazzmania Vortrag über die Fotographie (Grazzmania Lecture on Photography), from the portfolio O. T. Maniac
-
Martin KippenbergerI Like It-Ewig junger Wilder (Eternally Youthful Wild Man), from the portfolio T. Ü.
-
Martin Kippenberger1/4 Jhdt. Kippenberger als einer von Euch, unter Euch, mit Euch (A Quarter-Century of Kippenberger as One of You, Among You, With You)
-
Martin KippenbergerThe Alma Band, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerPer Pastra ad Astra, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerPop In, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerDie Reise nach Jerusalem (Voyage to Jerusalem), from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerSorry III, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin Kippenberger9 Gründe, die Preise zu erhöhen (9 Reasons for Raising Prices), from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerPolytexte. The Words Meet the Objects, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerPetra, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerDieser Mann wartet schon ziemlich dringend auf seine Mappe (This Man Has Been Waiting Anxiously for His Portfolio), from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerKennedy's, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerBroken Neon, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerEinfach geht der Applaus zugrunde (The Applause Simply Died Out), from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse-Development Knows No Excuses)
-
Martin KippenbergerPictures of Lilly and brothers and sisters, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerPeter, from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin Kippenberger4 Bilder unter Einfluss von Windrichtungen-1 Kiste (4 Pictures Influenced by the Direction of the Wind--1 Box), from the portfolio Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses)
-
Martin KippenbergerMotive No. 1, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 2, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 3, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 4, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 5, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 6, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 7, from the portfolio The Raft of the Medusa
-
Martin KippenbergerMotive No. 15, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 13, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 12, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 11, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 10, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 9, from the portfolio The Raft of Medusa
-
Martin KippenbergerMotive No. 8, from the portfolio The Raft of Medusa
-
Martin KippenbergerThe Raft of the Medusa
-
Martin KippenbergerI Had a Vision
-
Martin KippenbergerUntitled (Geoma-Plan)
-
Martin KippenbergerUntitled (Copa II)
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled (Tralala)
-
Martin KippenbergerUntitled (Tutta Pasta)
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled
-
Martin KippenbergerUntitled
Please note that artwork locations are subject to change, and not all works are on view at all times.
Only a portion of SFMOMA's collection is currently online, and the information presented here is subject to revision. Please contact us at collections@sfmoma.org to verify collection holdings and artwork information. If you are interested in receiving a high resolution image of an artwork for educational, scholarly, or publication purposes, please contact us at copyright@sfmoma.org.
This resource is for educational use and its contents may not be reproduced without permission. Please review our Terms of Use for more information.