Caitlin Haskell is associate curator of painting and sculpture at SFMOMA. Prior to joining the museum she was a Vivian L. Smith Foundation Fellow at the Menil Collection in Houston. Haskell’s interests range broadly across the field of modern and contemporary art. Recent exhibitions she has curated or co-curated include: Open Ended: Painting and Sculpture since 1900 (2016); Alexander Calder: Motion Lab (2016) and Portraits and Other Likenesses from SFMOMA (2015; co-organized with the Museum of the African Diaspora, San Francisco). Haskell has published essays on the work of Carl Andre, Alexander Calder, Walter De Maria, Dan Flavin, and Donald Judd. Her research is currently focused on the critical reception and creative practices of Henri Rousseau, Edvard Munch, and David Hammons. She holds a BA in art from Davidson College and an MA and PhD in art history from the University of Texas at Austin.