Jean Rouch, The Lion Hunters, 1965 (still); image: courtesy Icarus Films
Shot on the border between Niger and Mali over a period of seven years, The Lion Hunters documents the hunt performed by the gow hunters of the Songhay people, as well as the series of elaborate rituals that precede it. Anthropologist and documentarian Jean Rouch portrays the immediacy of the hunt, but also explores the complex social organization that underlies it, and the difficult questions entailed by its representation.
“The effort, the success, the masterpiece of Jean Rouch in The Lion Hunters stems from the long patience of a filmmaker who through his fascination took the time to wonder how, through its differences, reality has the right to enchant mind and eye.” — Sylvie Pierre, Cahiers du Cinéma
The Lion Hunters screens with The Mad Masters, an unsettling chronicle of the Hauka movement, a quasi-religious Nigerian sect in which the members enact rituals where they are “possessed” by various archetypes of European colonialists.
The Lion Hunters
Country: France
Language: French
Year: 1965
Running time: 77 min
Format: Digital presentation
Director: Jean Rouch
Producer: Pierre Braunberger
Cinematographer: Jean Rouch
Editors: Dov Hoenig, José Matarasso
Print Source: Icarus Films
The Mad Masters
Country: France
Language: French
Year: 1955
Running time: 28 min
Format: Digital presentation
Director: Jean Rouch
Cinematographer: Jean Rouch
Editor: Suzanne Baron
Print Source: Icarus Films
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