Film

Sweetie

Part of Modern Cinema

Thursday, October 19, 2017
7 p.m.

Phyllis Wattis Theater

This event has come and gone.

Jane Campion, Sweetie, 1989 (still); image: courtesy United Archives GmbH/Alamy Stock Photo

Selected by Christine Vachon; screens with A Girl’s Own Story (27 mins)

“Though she went on to create a string of brilliant films, Jane Campion will always be remembered for her stunning debut feature, Sweetie, which focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, Sweetie — and on their family’s profoundly rotten roots. A feast of colorful photography and captivating, idiosyncratic characters, the tough and tender Sweetie heralded the emergence of this gifted director, as well as a renaissance of Australian cinema, which would take the film world by storm in the ’90s.”
— Criterion.com
“The world of Sweetie — a beautifully strange and compelling film debut — is bent out of shape with almost intangibly subtle precision. Campion offsets what could have been a morose drama with an atmosphere that becomes increasingly, and unnervingly, mystical.”
— Luke Buckmaster, The Guardian



Film Details

Sweetie
Country: Australia
Language: English
Year: 1989
Running time: 97 min
Format: 35mm
Director: Jane Campion
Screenwriters: Jane Campion, Gerard Lee
Producer: John Maynard
Cinematographer: Sally Bongers
Editor: Veronika Haussler
Source: Chicago Film Society

A Girl’s Own Story
Country: Australia
Language: English
Year: 1985
Running time: 27 min
Format: Blu-Ray
Director: Jane Campion
Screenwriter: Jane Campion
Producer: Australian Film Television and Radio School
Cinematographer: Sally Bongers
Editor: Christopher Lancaster
Source: Criterion Collection/Women Make Movies


Films and schedules may be subject to change.

Modern Cinema’s Founding Supporters are Carla Emil and Rich Silverstein. Support is provided by Nion T. McEvoy and the Susan Wildberg Morgenstein Fund. This season of Modern Cinema is generously supported by James C. Hormel and Michael P. Nguyen.