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Exhibition

Count Me In

August 17, 2024–April 27, 2025
Floor 2
Tickets
Entry to this exhibition is included with general admission.

    “Experience is a hard teacher because she gives the test first, the lesson afterward.”
    — Retired baseball pitcher Vernon Law, baseball player

    The artworks in this gallery showcase the deep desire among athletes (and artists) to participate in games that prove — to rivals and spectators, coaches and family members, and the participants themselves — that they are worthy of the task at hand. In the game, players discover that the hours spent practicing with heads bent, in a crouch, or cradling a ball, yield a grace and beauty that only surfaces when tested. And sometimes the sociopolitical context in which one performs makes it even harder. In this exhibition, the physical, mental, emotional, and political resilience required to play is made visible. When Indigenous, Black, or women athletes refuse to give up, especially when they were historically excluded, their presence in the contest changes it. They make the game wider, deeper, and more meaningful. They make a beautiful game even more beautiful.

Count Me In (installation view, SFMOMA); photo: Don Ross
Esmaa Mohamoud, Glorious Bones, 2019 (installation view from Count Me In, SFMOMA, 2024); courtesy the artist and Olga Korper Gallery; photo: Don Ross
Count Me In (installation view, SFMOMA); photo: Don Ross

Lead support for Get in the Game: Sports, Art, Culture and related exhibitions is provided by Bank of America.

Presenting support is provided by Dana and Bob Emery.

Major support is provided by Mary Jo and Dick Kovacevich, KHR McNeely Family Fund, and Stephanie and Mark Robinson.

Significant support is provided by Mary Jane Elmore, Susan Karp and Paul Haahr, Jessica Moment, Nancy and Alan Schatzberg, and Anonymous.

Meaningful support is provided by Ethan Beard and Wayee Chu and Maryellen and Frank Herringer.

Header image: Kota Ezawa, National Anthem, 2018 (still); collection SFMOMA, purchase, by exchange, through a gift of Michael D. Abrams; © Kota Ezawa