The impulse to move photographs off the wall and into the open space of the gallery is not new. Since the 1960s, artists have challenged established notions of how a photograph should be displayed. In this exhibition, five contemporary artists expand upon earlier efforts to break free from the confines of the picture frame by transforming photographs into sculpture, including them in complex installations, projecting them onto various surfaces, even creating custom furniture for their display.
Liz Deschenes’s photographs in Off the Wall are sculptural, installed on the floor in space usually occupied by viewers. Oliver Chanarin frames his prints in a typical manner, but controls their display through robotic arms modeled after those used in automated warehouses. Sarah Sze’s intricate installation of still and moving images blurs the boundary between art and life, the virtual and the real. Dayanita Singh playfully disrupts expectations of photographic presentation by showing her work in her own micro-museums. And Lieko Shiga experiments with the gallery space, inviting viewers to experience her photographs by physically moving through them. Together these inventive, divergent approaches engage visitors in unconventional ways that speak to the incredible dynamism of the current moment in photography.
Support for Off the Wall is provided by Fundación Botín, Takeo Obayashi and Eleanor and Francis Shen.
Header image: Liz Deschenes, Gallery 4.1.1, 2015 (installation view of Serialities at Hauser & Wirth, New York, NY, 2017); © Liz Deschenes; courtesy the artist and Miguel Abreu Gallery, New York; image courtesy Hauser & Wirth;
photo: Timothy Doyon