In conjunction with the San Francisco Museum of Modern Art (SFMOMA) presentation of Gerhard Richter: Forty Years of Painting, a remarkable eight-painting suite of abstractions by Gerhard Richter, Abstraktes Bild (Abstract Pictures) 858, 1999, will be on view at the Museum from September 26, 2002, through April 1, 2003. Simultaneous with the exhibition opening, an extraordinary book of poems, essays and music inspired by and specially commissioned for the series RICHTER 858 will be released internationally.
One of the rare groups of Richter abstractions to remain fully intact, Abstraktes Bild (858) consists of eight intensely colored and formally complex paintings, which were among the first works completed by the artist in the summer of 1999, after recovering from a serious illness. Compelled by these works—and with the artist’s blessing—writer, editor and record producer David Breskin created RICHTER 858 as both investigation and celebration of this suite of pictures in particular and Richter abstraction in general. The book presents a unique mix of image, music and text:
RICHTER 858 accompanies these new pieces with vivid, large-scale reproductions: the eight paintings are shown first at more than half-scale, then in a double-gatefold panorama and finally, most unconventionally, unbound in a folio at the back of the book, allowing them to be removed and displayed according to the reader’s wishes. At the same time, the core of the book consists of 35 large reproductions of details from the paintings, each paired with a page of poetry or text. Published by The Shifting Foundation in association with SFMOMA and designed by Mark Fox of BlackDog (whose work was the subject of an SFMOMA exhibition in 1999), this oversized volume (12.5 by 17 inches) is housed in an aluminum slipcase that echoes the artist’s distinctive choice of support for all but one of the 858 paintings and comes fully protected in its own laminated corrugated box.
“The idea was to create something more like an artist’s book than a conventional catalogue,” explains Breskin. “Something polyphonic, with a multiplicity of styles and modes and yet at the same time a kind of rigor and order, so that it might be in sympathy with Richter’s own practice. And while you are listening to this chorus of American poetry, criticism and music—which hopefully will promote a deeper understanding of the paintings, their complexity, what Richter is doing—you get sort of beaten to death with peacock feathers by the reproductions, which are insanely beautiful. Which is to say that the study of abstraction doesn’t have to be dry or forbidding; it can be sensuous, delightful and pretty cool. And that’s what we’ve tried to do here.”
ISBN 0-9718610-0-5 U.S. $125
12.5 by 17 inches
120 pages with gatefold + 8 plates unbound / 61 color images
Full-length music compact disc
Brushed aluminum slipcase with laminated corrugated box
Distributed by D.A.P in North America; by Thames and Hudson abroad
Music: Bill Frisell with Jenny Scheinman, Hank Roberts and Eyvind Kang
Poems: WS Di Piero, Dean Young, Ann Lauterbach, Richard Howard, Paul Hoover, David Breskin, Connie Deanovich, Robert Hass, Brenda Hillman, Michael Palmer, James McManus, Edward Hirsch, Jorie Graham
Texts: Klaus Kertess, Dave Hickey, Gerhard Richter