In this review of the Wadsworth Atheneum exhibition Black, White and Grey: Contemporary Painting and Sculpture (January 9–February 9, 1964), Florence Berkman singles out Rauschenberg’s Erased de Kooning Drawing (1953) as the “most unusual work” in the show. Despite Berkman’s somewhat tepid review, the exhibition, organized by Samuel Wagstaff, has found a place in art history as one of the earliest cohesive presentations of the movement that would come to be known as Minimalism.