Watch
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watchEva Hesse was true to her materials
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watchPreserving Eva Hesse's latex
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watchLindy Roy’s retail concept for Vitra
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watchGrace McCann Morley's populist approach to founding SFMOMA
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watchNashormeh Lindo: The Harlem Renaissance opened the eyes of the establishment
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watchRobert Bechtle: Photorealism at high speed
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watchRobert Bechtle: The car is a landscape
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watchRobert Bechtle: An underpainting to enhance the color
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watchAntony Gormley answers: What is art?
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watchRobert Bechtle's dabs of enlivening color
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watchSFMOMA’s New Visual Identity
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watchSol LeWitt on Eva Hesse’s “junky” materials
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watchSol LeWitt on making wall drawings
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watchDavid Park's daughters remember their father
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watchRobert Arneson on becoming an artist
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watchRichard Diebenkorn: Inspired by natural light
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watchRichard Diebenkorn: Seeing the world in abstraction
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watchJackson Pollock: Paintings have a life of their own
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watchRobert Rauschenberg, Willem de Kooning, and a bottle of Jack Daniels
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watchRobert Bechtle: The intensity embedded in the paint