Watch

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  Matthew Barney on using plastics and petroleum jelly
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  Amy Franceschini reimagines World War II–era community gardens for San Francisco
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  Richard Tuttle: Art is an adventure
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  It’s alive! Richard Tuttle creates a wire piece at SFMOMA
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  Why was Richard Tuttle’s 1975 exhibition so controversial?
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  Richard Tuttle flirts with nothingness
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  Gary Hill: Your actions reflect yourself
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  Gary Hill gets down to the neurons
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  Gary Hill crashes into a wall
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  Gary Hill touches sound
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  Gary Hill embraces the Millionaires Club
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  Gary Hill doesn’t miss a beat
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  Robert Bechtle: The camera is a sketchbook
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  Robert Bechtle: Paintings are not as ephemeral as photographs
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  Robert Bechtle gets (photo)real
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  Romance novels and slave narratives: Kara Walker imagines herself in a book
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  Kara Walker on the dark side of imagination
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  Kara Walker explains her interest in “demoted” art forms
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  Kara Walker depicts violence and sadness that can't be seen
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  Doris Salcedo: Memory as the essence of work