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Gary Hill doesn’t miss a beat
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Robert Bechtle: The camera is a sketchbook
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Robert Bechtle: Paintings are not as ephemeral as photographs
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Robert Bechtle gets (photo)real
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Romance novels and slave narratives: Kara Walker imagines herself in a book
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Kara Walker on the dark side of imagination
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Kara Walker explains her interest in “demoted” art forms
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Kara Walker depicts violence and sadness that can't be seen
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Doris Salcedo: Memory as the essence of work
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Doris Salcedo: "Extreme experiences as a point of departure"
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Ed Ruscha on combining painting and photography
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Ed Ruscha: Drawing with gunpowder
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Ed Ruscha takes a leap from canvas to book
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Ed Ruscha: Painting words
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Ed Ruscha’s big-city visions
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Why Pipilotti Rist works with video
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Pipilotti Rist: Our hearts are “rinsed” every second
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Pipilotti Rist’s fairy tale about a destructive goddess
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Pipilotti Rist’s “instant diamonds”
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Judy Chicago: The Dinner Party
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