| Image | Title | Release Date | Artist(s) |
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Richard Serra Artist Talk
Richard Serra in conversation with exhibition co-curator Gary Garrels, Elise S. Haas Senior Curator of Painting and Sculpture, SFMOMA, on October 13, 2011. |
January 2012 | ||
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Richard Serra on his Splash Pieces
Richard Serra recalls the different installations of his splash pieces and gives the story on how SFMOMA's version came into the collection. |
January 2012 | ||
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Richard Serra on challenging artistic tradition
Richard Serra discusses how the tradition of an artistic medium can be limiting and explains that artists must invent their own tools for art making. |
January 2012 | ||
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Richard Serra answers: Why make art?
Richard Serra explores how an artist's perception of the world can be impacted by their creation process, and vice-versa. |
January 2012 | ||
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Richard Serra on drawing as visual note taking
Richard Serra uses Le Corbusier's building in France, Ronchamp, as an example of how architectural volumes influence his work. |
January 2012 | ||
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SECA Oral History Interviews
In conjunction with the museum's seventy-fifth anniversary in 2010, SFMOMA curators Janet Bishop and Apsara DiQuinzio conducted a series of oral history interviews with past SECA |
December 2011 | ||
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Rigo 23 on his Found "Lost Bird" Posters
Rigo 23 discusses the lost bird posters he found throughout San Francisco and considers the ways they reflect the lives of the people who posted them. From 1984-1999, Rigo (born |
December 2011 | ||
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David Best on the impact of his Burning Man temples
Artist David Best discusses the temporary sculptural temples he has constructed for the annual Burning Man festival in the Black Rock Desert of Nevada. At the end of the |
December 2011 | ||
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William Allan on Book Life
Artist William Allan discusses his box projects, focusing on Book Life, a work devoted to revitalizing a forgotten text. |
December 2011 | ||
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Hung Liu on Loom
Artist Hung Liu considers the use of archival photographs and traditional Chinese imagery in her painting Loom. |
December 2011 | ||
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Gay Outlaw on her working methods
Artist Gay Outlaw reflects on the relationship between her current working methods and the domestic skills she learned growing up. |
December 2011 | ||
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Jordan Kantor on his series Eclipse
Jordan Kantor describes the process of creating his print series Eclipse, and discusses his interest in questioning the act of looking. |
December 2011 | ||
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Barry McGee on creating art indoors
Artist Barry McGee considers the differences between creating graffiti outdoors and making art for display in a museum or gallery. |
December 2011 | ||
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Squeak Carnwath on making and viewing her work
Squeak Carnwath details the process of making her paintings and considers the ways viewers might approach her work. |
December 2011 | ||
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Will Rogan on the meaning of things
Will Rogan discusses his series Public Sculpture and Picture the Earth spinning in space, and explores the accidental meaning he finds in the urban environment. |
December 2011 | ||
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Wayne E. Campbell on how he came to work with Wayne R. Campbell
Artist Wayne E. Campbell describes his collaboration with Wayne R. Campbell for his SECA Award exhibition, in which instruction-based art took an inventive and somewhat subversive |
December 2011 | ||
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Kamau Amu Patton on his Static Field series
2010 SECA Art Award winner Kamau Amu Patton describes the process used to create his Static Field series and discusses the relationship between machines and technology in his |
November 2011 | ||
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Jim Campbell on the genesis of Exploded Views
Artist Jim Campbell describes the process of developing and creating Exploded Views, a commissioned work that was installed in SFMOMA's atrium in November 2011. |
November 2011 | ||
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Reimagining the Museum: The First Sketches
Learn more about SFMOMA's expansion from museum leaders, community members, and the architects. The expansion, designed by the architecture firm Snøhetta, will provide an |
November 2011 | ||
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Behind the scenes of Richard Serra Drawing
Watch as artist Richard Serra and Gary Garrels, SFMOMA's Elise S. Haas Senior Curator of Painting and Sculpture, go behind-the-scenes of Richard Serra Drawing: A Retrospective, on |
October 2011 | ||
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Tiago Carneiro da Cunha on satire
Via Skype video chat, sculptor Tiago Carneiro da Cunha discusses the ways popular culture and the history of satire influence his ceramic sculptures, and introduces viewers to a |
September 2011 | ||
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Klara Kristalova on growing up
Via Skype video chat, sculptor Klara Kristalova explains the ways the magic and terror of childhood and the struggles of becoming an adult have shaped the subjects of her work. |
September 2011 | ||
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Daniel Schwartz on Travelling Through the Eye of History
Daniel Schwartz considers his reliance on history in his practice. |
August 2011 | ||
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Daniel Schwartz on life lessons
Daniel Schwartz discusses the way he engages the world. |
August 2011 | ||
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Jim Goldberg on his documentary practice
Jim Goldberg discusses the larger stories told through his photography practice. |
August 2011 | ||
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Richard Misrach on Destroy This Memory
Richard Misrach describes photographing the aftermath of Hurricane Katrina and discusses his book about hurricane-inspired graffiti, Destroy This Memory. |
August 2011 | ||
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Jim Goldberg on sensitivity and Polaroids
Photographer Jim Goldberg discusses working in war ravaged countries and explains why he uses Polaroids. |
August 2011 | ||
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Who were the Steins?
Rebecca Rabinow, associate curator at The Metropolitan Museum of Art and co-curator of The Steins Collect, provides an overview of how this family – Leo, Gertrude, Michael, |
May 2011 | ||
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The Stein Salons
Paris was the pilgrimage point in the early twentieth century for people interested in seeing emerging modern art. The first stops on the tour were the Stein family's two |
May 2011 | ||
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Monsieur Matisse and Mrs. Stein
Matisse biographer Hilary Spurling describes the deep friendship between Henri Matisse and Sarah Stein and the patronage it inspired. Excerpts from letters written at the end of |
May 2011 |