Within this expanse of sparkling black “sand” is a constellation of images and found objects of personal and philosophical significance for Bacher. Among them are a shattered mirror, a sculptural robot with an ashtray for a head and a roach clip for a hand, and an audio recording of an actor reciting lines by the character Puck in William Shakespeare’s A Midsummer Night’s Dream. The photograph-identified by Bacher as one of her earliest artworks-depicts her late husband, an astronomer, with his hand in a mudra sign close to his heart. This meditation on the passage of time provokes a deeply cosmological, fractured view of the intimate and the expansive, the minute and the infinite.