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Jannis Kounellis
Untitled, 1983

Artwork Info

Artwork title
Untitled
Artist name
Jannis Kounellis
Date created
1983
Classification
sculpture
Medium
nails, steel and wood
Dimensions
65 1/2 in. × 95 1/2 in. × 8 3/4 in. (166.37 cm × 242.57 cm × 22.23 cm)
Credit
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Copyright
© Estate of Jannis Kounellis
Permanent URL
https://www.sfmoma.org/artwork/FC.402
Artwork status
Not on view at this time.

Audio Stories

Making art from scraps

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transcripts

SFX: Roman trumpets– a fanfare for the Emperor.  

 

NARRATOR:  

Imagine for a moment, being an artist in Rome. All the pageantry! All the splendor! Thousands of years of artistic triumph! What could be more…overwhelming!  

 

SFX: Transition to modern day sounds  

 

Forget marble, and grandeur, and all of that. That was the central idea behind Arte Povera, an Italian art movement that literally translates to poor art. This artist, Jannis Kounellis, grew up in Greece and then lived in Rome. What he wanted to evoke was not an ancient past, or the immortal gods — but the world as it was, in the city around him. Using scraps from everyday life.  

 

Finding poetry in discarded objects is something that inspires local artist Nemo Gould, too. We asked him about what its like to look for inspiration in the streets.  

 

NEMO GOULD: 

Broken is good. Somethings function has been removed. But its still here. Its still something. So theres all this room to reinterpret it. You have to trick yourself into seeing everything as though youd never seen it before.  

 

NARRATOR:  

As you look at this artwork, do bits of story cling to these shards? Do you see a door frame? A sliver of gate? Can you let go of their origins completely, and view them as salvaged colors, textures, and forms? 

 

GOULD:  

The easiest metaphor I can come up with is a jigsaw puzzle. The challenge is to find the relationship between parts and thats where the jigsaw metaphor comes in. And thats where the real work is, in choosing those relationships.  

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Other Works by Jannis Kounellis

See other works by Jannis Kounellis

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