Rhea Storr, Junkanoo Talk, 2017 (still)


Saturday Film Pass

Friday, June 8, 2018

5 p.m.

Program 4: lines are drawn

Sair Goetz, me and my army, 2017 (still)

Program 4 will feature artists Sair Goetz, Nico La Shae, Talena Sanders, Kelly Sears, and Alexander Stewart in attendance.

“Films of wander, drift, and encounter with the world give way to abstracted spaces and fragmentary envisionings of bodies. Self-portraiture gives way to other-portraiture, cinematic revisioning and enactment of feminist art actions. Experiences forgotten by the mind are carried by the body. Aches may linger. Is it uncommon to relive events in which your body played no part?”

— San Francisco Cinematheque


Taylor Creek (2017) by Dan Browne

Union (2010) by Paul Clipson

me and my army (2017) by Sair Goetz

Rote Linie (Red Line) (2015/2016) and Model of a Hand (2018) by Rosa John

I AM NOT HERE FOR YOU (2017) by Nico La Shae

Reasonable Watchfulness (2018) by Talena Sanders

Applied Pressure (2018) by Kelly Sears

Void Vision (2018) by Alexander Stewart

Untitled (2012) and Venus Delta (2016) by Antoinette Zwirchmayr

Program 5: inside the machine (demolition of a

Robert Todd, Marking Time, 2016 (still)

Program 5 will feature artists Dianna Barrie and Richard Tuohy in attendance.

“It’s something pretending to be something else. It starts one brick at a time. The films in this program collide the abstract with the concrete and the mighty concrete crumbles. Astrology meets machinery. Alchemy meets astronomy and space noises bloom. Lines are drawn, erased, blurred, and drawn again.”

— San Francisco Cinematheque


Inside the Machine (2016, projection performance) by Dianna Barrie and Richard Tuohy

Absteigend (2012) by Paul Clipson

Astrology (2018) by Brittany Gravely

At the Horizon (2018) by Manuel Knapp and Makino Takashi

Decoy (2017) by Alee Peoples

Marking Time (2016) by Robert Todd

Program 6: endless nameless (chaos is the

Simon Liu and Warren Ng, Highview, 2017 (still)

Program 6 will feature artists Simon Liu and Warren Ng in attendance.

“Shutter-induced visions confound, overreach, and dissipate. Films as overflowing boxes of coagulated speed, color, and contrast. Confusion in slow motion; eclipses and occlusions. The mechanisms of memory evoke the future. Time moves in all directions (and sometimes not at all). Program features an extended and extrapolated portrait of musician Thom AJ. MadsoN (Assajan Jakgawan). Live quad-projection (in 16mm) by Simon Liu + live sound by Warren Ng (This Invitation) ring in our CROSSROADS Saturday night.”

— San Francisco Cinematheque


Saint Bathans Repetitions (2016) by Alexandre Larose

Note to Tesua (2018) by Saul Levine

Highview (2017, projection performance) by Simon Liu and Warren Ng

Confusion is Next (2018) by Pathompon Mont Tesprateep

Abound Box (2015) by Sheri Wills

Program 3: fluid frontiers (ain’t gonna rain no

Program 3 will feature artists Ephraim Asili, Dianna Barrie, Akosua Adoma Owusu, Paige Taul, and Richard Tuohy in attendance.

“Join us for films on diaspora, migration, exodus, resistance, the flows of traffic, bodies, air, water, and culture. The self-organizing motor traffic of the streets of Jakarta teems. Bahamian Junkanoo costumes and rhythms rake ‘n’ scrape. Voices and images of street art, poetics of resistance. The spirit of a dreaming Diana Ross enacts visions of Mahogany while Sly the Family Stone hit the tarmac.”

— San Francisco Cinematheque


Fluid Frontiers (2017) by Ephraim Asili

Pancoran (2017) by Dianna Barrie and Richard Tuohy

Olly Olly Oxen Free (2017) by Julia Dogra-Brazell; How Can I Ever Be Late (2017) by Kevin Jerome Everson and Claudrena N. Harold

Pull Down (2016) by Susan MacWilliam

Mahogany Too (2018) by Akosua Adoma Owusu

Crow Requiem (2015) by Cauleen Smith

Junkanoo Talk (2017) by Rhea Storr

Transit (2017) by Paige Taul