Chen Kaige, Farewell My Concubine, 1993 (still); image: courtesy Photofest
Film

Farewell My Concubine

Part of Modern Cinema: Jia Zhangke

Sunday, February 10, 2019

12:30 p.m.

Phyllis Wattis Theater

$10 Members

$12 General

Farewell My Concubine is two films at once: an epic spanning a half-century of modern Chinese history, and a melodrama about life backstage at the famed Peking Opera. The idea of viewing modern China through the eyes of two of the opera’s stars would not, at first, seem logical: how could the birth pangs of a developing nation have much in common with the death pangs of an ancient and ritualistic art form? And yet the film flows with such urgency that all its connections seem logical. And it is filmed with such visual splendor that possible objections are swept aside…We meet the delicate young Douzi (Leslie Cheung), who is assigned to the [cross-dressing] role of the concubine in a famous traditional opera, and the more masculine Shitou (Zhang Fengyi), who will play the king. Throughout their lives they will be locked into these roles onstage, while their personal relationship somehow survives the upheavals of World War II, the communist takeover of China, and the Cultural Revolution.

The movie’s director is Chen Keige, who knows about the Cultural Revolution first hand. Born in 1952, he was sent in 1969 to a rural area to do manual labor; the scenes involving the Peking Opera’s youth training programs may owe something to this experience.” (Roger Ebert)

Print Source: George Eastman House / Rights: Tamson Entertainment Group


Film Details

Year: 1993

Running time: 155min

Format: 35mm (USA theatrical cut)

Director: Chen Kaige


Films and schedules may be subject to change.

Modern Cinema’s Founding Supporters are Carla Emil and Rich Silverstein. Generous support is provided by Nion McEvoy and the Susan Wildberg Morgenstein Fund.

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