This symposium is made possible by generous support of the Fraenkel Gallery Fund for New Studies in Photography.
Image: Unknown photographer, Untitled [Man reflected in mirrors], n.d.; photograph; gelatin silver print; Collection SFMOMA, Gift of Gordon L. Bennett;
Photography has almost always been in crisis. In the beginning, the terms of this crisis were cast as dichotomies: is photography science or art? Nature or technology? Representation or truth? This questioning has intensified and become more complicated over the intervening years. At times, the issues have required a profound rethinking of what photography is, does, and means. This is one of those times. Given the nature of contemporary art practice, the condition of visual culture, the advent of new technologies, and many other factors, what is at stake today in seeing something as a photograph? What is the value of continuing to speak of photography as a specific practice or discipline? Is photography over?
SFMOMA has invited a range of major thinkers and practitioners to write brief responses to this question and then to convene for a two-day summit on the state of the medium. Participants include Vince Aletti, George Baker, Walead Beshty, Jennifer Blessing, Charlotte Cotton, Philip-Lorca diCorcia, Geoff Dyer, Peter Galassi, Corey Keller, Douglas Nickel, Trevor Paglen, Blake Stimson, and Joel Snyder.
Their texts will be used to kick off a panel discussion Thursday night. The 13 participants will continue the conversation Friday morning in closed-door sessions and will report back in a public session Friday afternoon.