At first glance Kara Walker’s work recalls the genteel art of 18th-century black-paper silhouette portraiture. Upon closer inspection, however, Walker’s allegorical tableaux of the antebellum South reveal grimly absurd scenarios in which stereotypical plantation figures engage in macabre, violent, sexual, and scatological interactions. The artist draws her content from many sources, including American slave narratives, genre paintings, Civil War battle reenactments, and “bodice ripper” romance novels. Integrating the pictorial vocabularies of times past, Walker presents conflicting realities and role reversals that evoke parallels to the racial power struggles inherent in American society today. This installment of the New Work series is the artist’s first solo museum exhibition on the West Coast.
Learn more about the New Work series.