The Doris and Donald Fisher Collection is among the world’s greatest private collections of contemporary art. Founders of San Francisco–based Gap Inc., the couple began collecting prints to enliven the company’s offices in the mid-1970s, and they soon expanded their efforts to include paintings, sculpture, and drawings. Today their collection, which features notable concentrations of work by a number of the most seminal artists of our time, including Alexander Calder, Chuck Close, Ellsworth Kelly, Anselm Kiefer, Roy Lichtenstein, Agnes Martin, Gerhard Richter, Richard Serra, and Andy Warhol, is on extended loan to SFMOMA, where it is presented in tandem with the museum’s renowned collections of modern and contemporary painting, sculpture, photography, architecture, design, and media art. This lavishly illustrated volume offers an introduction to the Fisher Collection at SFMOMA, highlighting the areas of focus it shares with the museum’s painting and sculpture holdings.
The Fisher Collection at the San Francisco Museum of Modern Art
Foreword by Neal Benezra; preface by Bob, Bill, and John Fisher; essay by Gary Garrels
176 pages, 141 illustrations, 10 ½ x 12 ½ inches, hardcover
Published in 2016
Published on the occasion of the inaugural presentation of the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
ISBN 9780918471949 (hardcover)
Approaching American Abstraction
This exhibition of selected American artists in the Doris and Donald Fisher Collection explores the diverse approaches to abstraction developed since 1950.
Pop, Minimal, and Figurative Art
This exhibition of works from the 1960s and beyond features American Pop and Minimal artists, as well as the work of key figures exploring the human form as subject.
German Art after 1960
Drawn from the Doris and Donald Fisher Collection, this exhibition features single-artist galleries devoted to leading German artists exploring the postwar landscape.
May 14, 2016–October 1, 2017
Displayed both indoors and on adjacent terraces, this exhibition traces Calder’s explorations of motion from the late 1920s to the late 1960s