It was important to Rauschenberg to use high-quality materials that were both durable and eco-friendly. This fax from the artist’s New York gallery, PaceWildenstein (as Pace Gallery was then known), describes the paper and ink that Rauschenberg chose for his Anagrams (A Pun) series.
PaceWildenstein, fax to SFMOMA’s Conservation Department, May 27, 1999
Part of the Rauschenberg Research Project
Related to Port of Entry [Anagram (A Pun)], 1998
PaceWildenstein, fax to SFMOMA’s Conservation Department, May 27, 1999
Related to Port of Entry [Anagram (A Pun)], 1998
Part of the Rauschenberg Research Project
