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Brice Marden on finding inspiration in olive groves
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Brice Marden: How to look at paintings
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Kota Ezawa: Translating photographs into drawings
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Painting versus photography: Jeff Wall compares and contrasts
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Jeff Wall advocates for staged photography
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Jeff Wall: “I begin by not photographing”
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Henry Wessel: Photographing while “half asleep”
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Henry Wessel: The view from the driver’s seat
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Henry Wessel: Why it’s better to see without recognizing
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Anselm Kiefer: An artist is “outside of the world”
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Anselm Kiefer: We use mythology to give life meaning
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Deborah Luster: Helping prisoners show themselves to the world
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Why Deborah Luster decided to photograph prisoners
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“The people who stole the prisoners”: Deborah Luster’s accidental performance work
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“Hold these people in your hand”: Deborah Luster’s photographs of prisoners
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How Richard Serra influenced Matthew Barney
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Matthew Barney and ancient Japanese whaling traditions
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Matthew Barney puts his body into his work
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Football and perception: Matthew Barney on the field emblem
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Matthew Barney on ambergris, a.k.a. whale waste
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