Robert Rauschenberg: Erasing the Rules
On view November 18, 2017–March 25, 2018
From the 1940s until his passing in 2008, Rauschenberg worked with everything from photography to items scavenged from New York City streets to vats of bubbling mud. More than 150 of Rauschenberg’s artworks, including prints, sculptures, paintings and Combines (works that incorporate painting and sculpture), will be on view in the retrospective Robert Rauschenberg: Erasing the Rules, celebrating the artist’s continual experimentation with materials and collaborative working processes. The exhibition demonstrates how, with razor-sharp humor and intelligence, Rauschenberg broke down boundaries between disciplines, anticipated many of the defining cultural and social issues of our time and redefined what art could be for the generations of artists who followed.
Robert Rauschenberg: Erasing the Rules is organized by Tate Modern, London, and The Museum of Modern Art, New York, in association with the San Francisco Museum of Modern Art. The San Francisco presentation is dedicated to the memory of Phyllis C. Wattis, whose vision and support provided the groundwork for the exhibition. The Global Tour Sponsor is Bank of America. Major support is provided by Carol and Lyman Casey, Doris Fisher, The Mimi and Peter Haas Fund, SFMOMA Collectors’ Forum, the Paul L. Wattis Foundation, the Phyllis C. Wattis Fund for Traveling Exhibitions, and Carlie Wilmans. Generous support is provided by Aurelia and Cadmus Balkanski, Penny S. and James G. Coulter, Roberta and Steve Denning, the Mary Jo and Dick Kovacevich Family, Christine and Pierre Lamond, Deborah and Kenneth Novack, the Bernard and Barbro Osher Exhibition Fund, the Prospect Creek Foundation, Helen and Charles Schwab, and Thomas W. Weisel and Janet Barnes. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Select programs in conjunction with Robert Rauschenberg: Erasing the Rules are made possible through a grant from the Robert Rauschenberg Foundation.
Image: Robert Rauschenberg, Retroactive I, 1964; oil and silkscreen ink on canvas; Wadsworth Atheneum Museum of Art, Hartford, Connecticut, gift of Susan Morse Hilles; © Robert Rauschenberg Foundation